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Gottschalk and Cuba - Antonio Iturrioz pf Steinway & Sons 30102, 2018 (1 CD: 74 minutes)
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Published online by Cambridge University Press: 20 March 2020
Abstract
- Type
- CD Review
- Information
- Nineteenth-Century Music Review , Volume 18 , Special Issue 1: The Digital Humanities and Nineteenth-Century Music , April 2021 , pp. 169 - 171
- Copyright
- Copyright © Cambridge University Press, 2020
References
1 Gottschalk, Louis Moreau, Notes of a Pianist, ed. Behrend, Jeanne (New York: Knopf, 1964): 34–6Google Scholar.
2 See, for example, Starr's own discussion of the symphony in Starr, S. Frederick, Bamboula! The Life and Times of Louis Moreau Gottschalk (New York: Oxford, 1995): 284–7Google Scholar, as well as Shadle, Douglas, Orchestrating the Nation: The Nineteenth-Century American Symphonic Enterprise (New York: Oxford, 2015): 137–57CrossRefGoogle Scholar.
3 For an excellent overview of the Cuban contradanza tradition, including portraits of Saumell, Gottschalk, Cervantes and Lecuona, see Manuel, Peter, ‘Cuba: From Contradanza to Danzón’, in Creolizing Contradance in the Caribbean, ed. Manuel, Peter (Philadelphia: Temple University Press, 2009): 51–112Google Scholar.