In this article Aamir Aziz argues that Arthur Miller's The Crucible is a wilful and purposeful theatrical response to the operations of Joseph McCarthy and his henchmen. He highlights the theatricality of the McCarthy trials and examines them through the frame of spectacle, as outlined by Guy Debord, to show how Miller used his play theatrically to unhinge the machinations of McCarthyism and the seemingly unassailable frame of an American democracy defending itself against Communist subversion. Miller's play was thus a theatrical intervention into an ideological force field that served to puncture and expose the veil of this spectacle. Aamir Aziz received his doctorate from Universiteit Leiden in 2014, and is now an Assistant Professor in English in the Department of English Language and Literature at University of the Punjab, Lahore, Pakistan. He has recently published articles in International Policy Digest, New Authors' Journal, Sydney Globalist, and London Globalist.