The only collection of commedia dell'arte scenarios to have been published in the sixteenth and seventeenth centuries is that of the actor-manager Flaminio Scala, in 1611. This can serve, among other things, as a primary source of information about the style of acting in commedia dell'arte performance in its golden age, from 1570 to 1630. While English drama of the same period provides us, in the main, with only the words the actors were to have spoken, the Scala collection rarely provides us with these, but rather, with a wealth of descriptions of actions and emotions. These descriptions enable us to make inferences about the style in which they were acted – that is, about the particular way in which the stories the actors presented were said, performed, or expressed. Natalie Crohn Schmitt is Professor of Theatre, Emerita, University of Illinois at Chicago. She has published on commedia dell'arte in Viator, Renaissance Drama, and Text and Performance Quarterly, and previously in New Theatre Quarterly on Stanislavsky (NTQ 8), on theatre in its historic moment (NTQ 23), and on John Cage (NTQ 41).