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The Irony of Passionate Chaos: Modernity and Performing Medea

Published online by Cambridge University Press:  19 August 2004

Fiona Shaw
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Abstract

Clara Armand, author of the preceding article on ‘Dialogism and the Theatre Event’ in relation to Deborah Warner's production of Euripides' Medea, talks with Fiona Shaw about her close working relationship with the director in earlier productions, and the process of creating and developing the title role in the play. The interview took place in the Queen's Theatre on 21 February 2001, during the West End run of the production.

Type
Research Article
Information
New Theatre Quarterly , Volume 20 , Issue 3 , August 2004 , pp. 237 - 244
Copyright
© 2004, Cambridge University Press

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