A defining characteristic of ‘Theatre for Development’ is its ‘unfinished’ quality, whereby plays or scenarios remain more or less ongoing dialogues. In the following article, Samuel Ayedime Kafewo discusses the relationship between the fiction of the performance and the reality of the performed issues in one drama based on this technique, concerned with the divisive issue of citizenship rights in Nigeria. What is the role of processing and intervention in encouraging new attitudes towards the citizenship issues tackled in the project? What are the strengths and weaknesses of the methodologies adopted? And what was the overall impact of the project, ‘Citizenship, Participation, and Accountability’, as undertaken by the Theatre for Development Centre and the Nigerian Popular Theatre Alliance in 2001–2002 in Kaduna State, north-western Nigeria? Samuel Ayedime Kafewo is an active member of the Zaria Popular Theatre/Theatre for Development movement. He is Reader in the Department of Theatre and Performing Arts, Ahmadu Bello University, Zaria, Nigeria, and has published extensively in both local and international journals.