Hostname: page-component-848d4c4894-8bljj Total loading time: 0 Render date: 2024-07-07T11:06:07.223Z Has data issue: false hasContentIssue false

The Dimensions of Drama: the Case for Cross-Curricular Planning

Published online by Cambridge University Press:  15 January 2009

Extract

In NTQ4 and 5 David Hornbrook offered a two-part analysis of the purposes, practices, and projected future of drama teaching in schools. Discussion continued in NTQ7 and 8, with responses to Hornbrook's suggestions from a number of other practitioners in the area. Among them was Jon Nixon, currently research fellow in the Division of Education at Sheffield University, who now continues the debate with an article in which he provides a broader perspective, presenting a functional rather than theoretical model of classroom practice. This, he suggests, takes a three-dimensional form: drama as social interaction, as discourse, and as a mode of cognition – or what he calls the ‘depth dimension’ which ‘complements our various ways of knowing’. He concludes that drama should not by necessity be consigned to the margins of ‘the arts’, but be recognized for the vital role it can play not only in the whole humanities cirriculum but, crucially, in the cross-curricular development of communication and expressive skills.

Type
Research Article
Copyright
Copyright © Cambridge University Press 1987

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Barnes, Douglas, From Communication to Curriculum. Penguin Books, 1976.Google Scholar
Benjamin, Walter, Illuminations. Fontana, 1973.Google Scholar
Benjamin, Waller, Understanding Brecht. New Left Books, 1977.Google Scholar
Dodgson, Elyse, ‘Exploring Social Issues’, in Nixon, Jon, ed., (1982), p. 97112.Google Scholar
Fischer, Ernst, The Necessity of Art. Penguin Books, 1963.Google Scholar
Fischer, Ernst, Art against Ideology. New York: George Braziller, 1969.Google Scholar
Langer, Susanne, Feeling and Form. Routledge and Kegan Paul, 1953.Google Scholar
Langer, Susanne, Philosophy in a New Key. Harvard University Press, 3rd ed., 1953.Google Scholar
Lukacs, Georg, The Meaning of Contemporary Realism. Merlin Press, 1963.Google Scholar
Lukacs, Georg, Essays on Realism. Lawrence and Wishart, 1980.Google Scholar
Marcuse, Herbert, The Aesthetic Dimension. Macmillan, 1979.Google Scholar
Nixon, Jon, ed., Drama and the Whole Curriculum. Hutchinson, 1982.Google Scholar
Nixon, Jon, Teaching Drama: a Teaching Skills Workbook. Macmillan, 1987.Google Scholar
Polanyi, Michael, Personal Knowledge. Routledge and Kegan Paul, 1958.Google Scholar
Stenhouse, Lawrence and others. Teaching about Race Relations. Routledge and Kegan Paul, 1982.Google Scholar
Williams, Raymond, The Country and the City. Paladin, 1975.Google Scholar
, Raymond\Williams, Marxism and Literature. Oxford University Press, 1977.Google Scholar
Williams, Raymond, Politics and Letters. New Left Books, 1979.Google Scholar