Published online by Cambridge University Press: 15 January 2009
In previous issues of NTQ. we have begun to explore the complex questions raised by the interaction of the study of theatrical performance with other disciplines – notably, in the various interpretations of ‘theatre anthropology’, in the widely divergent approaches to ‘theatre sociology’, and even in terms of its application to quantum theory. Many of these studies have made necessary assumptions in the area of human biology without, however, fully following through their implications. Jean-Marie Pradier. who teaches in the Drama Department of the University of Paris 8, here looks at theatre and other modes of performance as ‘biological events’, exploring their importance in the manifestation (and correction) of the way the human body works – in the process touching on areas as diverse as the bio-dramatic function of dreams, the significance of neo-natal rhythms, and olfactory stimulation as one of the influences upon crowd behaviour. Acknowledging the need for further research in the field. Pradier argues for the importance of the ‘body in performance’ being perceived in its biological context.