The coinings of ‘verbatim theatre’ and the ‘testimony play’ have added new factors to any consideration of documentary drama. It is a form that has been proliferating recently, whether in enacted judgements of public policy – privatization of the railways in David Hare's The Permanent Way, the invasion of Iraq in Called to Account at the Tricycle – or in exploring the ‘truth’ about more private issues. In the following article, Stuart Young questions whether the form is appropriate to the discovery of such ‘truth’, but finds that two recent works in the genre, Aalst and Taking Care of Baby, have effected a more complex and reflexive intervention by emphasizing the process of writing or reporting, thereby drawing attention to the methods of construction in documentary theatre and to the problematic issues inherent in those methods. Stuart Young is Associate Professor and Co-ordinator of the Theatre Studies programme at the University of Otago. He has published on Chekhov in performance abroad and rewritings of the plays, New Zealand drama, and gay and queer theatre, and also translates Russian and French drama. He is currently working on a documentary theatre project on family violence in New Zealand.