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Messing with Molière

Published online by Cambridge University Press:  15 January 2009

Vincent Ebrahim
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Extract

I came from Cape Town, South Africa, to Britain in 1976, after graduating at a drama school, and for the next fifteen years worked for InterAction, Common Stock, Joint Stock, the RSC, and the National, and in other theatres. In 1990 I began my association with Tara Arts by Playing the Mayor in Gogol's The Government Inspector.

Type
Research Article
Information
New Theatre Quarterly , Volume 13 , Issue 52 , November 1997 , pp. 370 - 371
Copyright
Copyright © Cambridge University Press 1997

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References

For Further Reading

The Arts and Ethnic Minorities Plan (Arts Council of Great Britain, 1986).Google Scholar
Arts Without Frontiers (Arts Council of Great Britain, 1990).Google Scholar
Khan, Naseem, The Arts Britain Ignores: the Art of Ethnic Minorities (Arts Council of Great Britain, 1976).Google Scholar
Owusu, Kwesi, ed., The Struggle for Black Arts in Britain (Comedia, 1986).Google Scholar
Owusu, Kwesi, ed., Storms of the Heart: an Anthology of Black Arts and Culture (Camden Press, 1988).Google Scholar
Towards Cultural Diversity (Arts Council of Great Britain, 1989).Google Scholar
Brace, Marianne, ‘After Bollywood, Binglish’, The Independent, 9 11 1994.Google Scholar
Delgado, Maria and Heritage, Paul, eds., ‘Jatinder Verma’, in In Contact with the Gods? Directors Talk Theatre (Manchester University Press, 1996).Google Scholar
Robson, Sophie, Tara Arts: a Victim of Its Own Success? (MA Thesis, City University, 1991).Google Scholar
Rostand, Edmond, Cyrano, adapted by Verma, Jatinder and Bolt, Ranjit (Absolute Classics, 1995).Google Scholar
Verma, Jatinder, ‘Transformations in Culture: the Asian in Britain’, Proceedings of the Royal Society of Arts (1989).Google Scholar
Verma, Jatinder, ‘Crossing the Border: an Encounter with Odysseus’, address given at Portland State University, 07 1994.Google Scholar
Verma, Jatinder, ‘Asian Theatre in Britain: Historical Developments and Contemporary Identity’, address given at the University of Birmingham, 10 1994.Google Scholar
Verma, Jatinder, ‘Binglish: a Jungli Approach to Multicultural Theatre’, Studies in Theatre Production, No. 13 (1996).CrossRefGoogle Scholar
Verma, Jatinder, ‘The Challenge of Binglish: Analyzing Multicultural Productions’, in Campbell, Patrick, ed., Analyzing Performance (Manchester University Press, 1996).Google Scholar
Verma, Jatinder, ‘Punjabi Theatre in Britain: Context and Challenge’, address to the Punjabi Theatre Conference, London, 09 1996.Google Scholar
Woodall, James, ‘An Indian Gentilhomme’, The Observer,30 10 1994.Google Scholar
Tara Arts Website: http://www.tara-arts.comGoogle Scholar
Photo credits for this feature: Carol Baugh (page 361), John Haynes (page 363), and Hugo Glendinning (pages 363 and 369).Google Scholar