Hostname: page-component-78c5997874-dh8gc Total loading time: 0 Render date: 2024-11-19T07:39:52.042Z Has data issue: false hasContentIssue false

Female Trance in Han Tae-Sook's Production of Lady Macbeth

Published online by Cambridge University Press:  03 March 2009

Abstract

In this article, Jung-Soon Shim indicates how Han Tae-Sook transforms Lady Macbeth's subconscious into an interculturally emotional space in which the Christian concept of guilt and the Korean ethos of Han intersect. In this way, the director conducts an intercultural dialogue, negotiating the Western world view in Shakespeare's Macbeth together with the traditional Confucian-shamanistic world view to be found in Korea. Jung-Soon Shim is Professor of English at Soongsil University in Seoul, currently President of the Korean Theatre Studies Association (KTSA), and a founding member and President of the Korean Association of Women in Theatre (KAWT). Her numerous books include Twenty-First Century Korean Women Theatre Directors (2004).

Type
Research Article
Copyright
Copyright © Cambridge University Press 2009

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)