Hostname: page-component-78c5997874-fbnjt Total loading time: 0 Render date: 2024-11-19T13:38:31.918Z Has data issue: false hasContentIssue false
  • English
  • Français

Creative Surges in Ipswich

Published online by Cambridge University Press:  15 January 2009

Franc Chamberlain
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
NTQ Reports and Announcements
Information
New Theatre Quarterly , Volume 14 , Issue 54 , May 1998 , pp. 182 - 185
Copyright
Copyright © Cambridge University Press 1998

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Barba, Eugenio, The Dilated Body (Rome: Zeami Libri, 1985).Google Scholar
Barba, Eugenio, Beyond the Floating Islands (New York: PAJ Books, 1986).Google Scholar
Barba, Eugenio, The Paper Canoe: a Guide to Theatre Anthropology (London: Routledge, 1995).Google Scholar
Barba, Eugenio, and Savarese, Nicola, A Dictionary of Theatre Anthropology: the Secret Art of the Performer (London: Routledge, 1991).Google Scholar
Boal, Augusto, The Rainbow of Desire: the Boal Method of Theatre and Therapy (London: Routledge, 1995).Google Scholar
Chekhov, Michael, On the Technique of Acting (New York: Harper Perennial, 1991).Google Scholar
Csikszentmihalyi, Mihaly, Flow: the Psychology of Happiness (London: Rider, 1992).Google Scholar
Mindell, Arnold, Working on Yourself Alone (Harmondsworth: Penguin Arkana, 1990).Google Scholar
Mindell, Arnold, Sitting in the Fire: Large Group Transformation Using Conflict and Diversity (Portland, Oregon: Lao Tse Press, 1995).Google Scholar
Mindell, Arnold, and Mindell, Amy, Riding the Horse Backwards: Process Work in Theory and Practice (Harmondsworth: Penguin Arkana, 1992).Google Scholar
Núñez, Nicolás, Anthropocosmic Theatre: Rite in the Dynamics of Theatre (Amsterdam: Harwood Academic, 1996).Google Scholar
Richards, Thomas, At Work with Grotowski on Physical Actions (London: Routledge, 1995).Google Scholar