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III. Architectural Sculpture

Published online by Cambridge University Press:  05 February 2016

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The erection of a building - be it temple, treasury, colonnade, or theatre - argues commitment, means, and purpose, and the architectural sculpture that adorned the religious buildings is likely to have had programmatic intent, whether religious or political. The very complexity of the undertaking, and the limitation of the shapes decorated, have been seen as generating forces behind the development of advances in archaic sculpture. This is Anthony Snodgrass’s antithesis to the position he maintains about the production of kouroi and korai (see p. 10 above): ‘It is the pedimental figures which should be held up as examples of the attainment of Archaic sculptors . . . their adventurousness in pose and subject was the biggest contribution of the age to later sculpture.’

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Research Article
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Copyright © The Classical Association 1991

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References

Notes

1. See II, n. 5, p. 183.

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14. Parthenon-Kongress - an important work of reference.

15. Brommer, F., Die Skulpturen der Parthenon-Giebel (Mainz, 1963)Google Scholar, Die Metopen der Parthenon (Mainz, 1967) and Der Parthenonfries (Mainz, 1977). These are being updated by Berger’s documentation, see n. 13 above. See also Brommer’s general survey, The Sculptures of the Parthenon: metopes, frieze, pediments, cult-statue, trans. Whittall, M. (London, 1979)Google Scholar and compare Boardman, J. and Finn, D., The Parthenon and its Sculptures (London, 1985)Google Scholar.

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19. Simon, E., ‘Die Mittelgruppe im Westgiebel des Parthenon’, Tainia, pp. 239-55Google Scholar, pls. 51-4. A reclaimed head: Bruskari, M., ‘Die Wiedergewinnung eines Kopfes aus dem Westgiebel des Parthenons’, AK 30 (1987), 119-22Google Scholar, pl. 17. See also Arafat, K., Classical Zeus, (Oxford, 1990), pp. 156-9Google Scholar.

20. See nn. 13 and 14.

21. B. B. Shefton, ‘The krater from Baksy’, Eye of Greece, pp. 149-81, pls. 41-8. See also p. 17.

22. Robertson, M. and Frantz, A., The Parthenon Frieze (London,1975)Google Scholar.

23. J. Boardman, ‘The Parthenon frieze - another view’, Brommer Festschrift, pp. 39-49, pl. 16; and ‘The Parthenon frieze’, Parthenon-Kongress, pp. 210-15.

24. E.g. Linfert, A., ‘Die Götterversammlung im Parthenon-Ostfries und das attische Kultsystem unter Perikles’, AM 94 (1979), 41-7Google Scholar; Simon, E., ‘Die Mittelszene im Ostfries des Parthenon’, AM 97 (1982), 127-44Google Scholar, pls. 23-8; Mark, I. S., ‘The Gods on the East frieze of the Parthenon’, Hesperia 53 (1984), 289342 CrossRefGoogle Scholar, pls. 61-6; Jenkins, I. D., ‘The composition of the so-called Eponymous Heroes on the East frieze of the Parthenon’, AJA 89 (1985), 121-7CrossRefGoogle Scholar; L. Beschi, ‘H , AKGP II, pp. 199—224; Schäfer, T., ‘Diphroi und Peplos auf dem Ostfries des Parthenon: zur Kultpraxis bei den Panathenäen in klassischer Zeit’, AM 102 (1987), 185212 Google Scholar, pl. 14; J. Boardman, ‘Notes on the Parthenon East frieze’, Kanon, pp. 9-14, pls. 4-6; C. Clairmont, ‘Girl or boy? Parthenon East frieze 35’, AA 1989, 495-6. See also articles in the Parthenon-Kongress volume.

25. Brommer, F., Die Parthenonfries (Mainz, 1977), pp. 168-70Google Scholar.

26. The viewing and the obscuring of the Parthenon frieze’, JHS 107 (1987), 98105 CrossRefGoogle Scholar, pls. l-2a (quotation from 104). Cf.Stillwell, R., ‘The Panathenaic frieze’, Hesperia 38 (1969), 231-41CrossRefGoogle Scholar, pls. 61-3. Osborne (105) doubts the identity of Parthenon frieze workmen and carvers of late fifth-century grave stelai, pointing out that style is not the only criterion, ‘shared visual ideology’ must also be taken into account. For a recent history of grave reliefs, see Schmaltz, B., Griechische Grabreliefs (Darmstadt, 1983)Google Scholar.

27. Leipen, N., Athena Parthenos, a Reconstruction (Toronto, 1971)Google Scholar and ‘Athena Parthenos: problems of reconstruction’, Parthenon-Kongress, pp. 177-81, pls. 6-9; Prag, A. J. N. W., ‘Athena Mancuniensis: another copy of the Athena Parthenos’, JHS 92 (1972), 96114 CrossRefGoogle Scholar, pls. 19-23 and ‘New copies of the Athena Parthenos from the East’, Parthenon-Kongress, pp. 182-7, pls. 10-12; P. Karanastassis, ‘Untersuchungen zur kaiserzeitlichen Plastik in Griechenland II: Kopien, Varianten und Umbildungen nach Athena-Typen des 5. Jhs v. Chr. A. Athena-Parthenos, ’, AM 102 (1987), 323428 Google Scholar, pls. 35-57.

28. Shield: Harrison, E. B., ‘Motifs of the City-siege on the shield of Athena Parthenos’, AJA 85 (1981), 281317 CrossRefGoogle Scholar, pls. 46-54; V. M. Strocka, ‘Das Schildrelief - Zum Stand der Forschung’, Parthenon-Kongress, pp. 188-96, pl. 13; Arafat, K. W., ‘A note on the Athena Parthenos’, BSA 81 (1986), 16 Google Scholar; Mauruschat, D., ‘Ein neuer Vorschlag zur Rekonstruktion der Schildamazonomachie der Athena Parthenos’, Boreas 10 (1987), 3258 Google Scholar; Meyer, H., ‘Ein neues Piräusreliefs. Zur Überlieferung der Amazonomachie am Schild der Athena-Parthenos’, AM 102 (1987), 295321 Google Scholar, pls. 29-34; W. Gauer, ‘Parthenonische Amazonomachie und Perserkrieg’, Kanon, pp. 28-41. For the mistaken Pheidias-Daidalos connection with the shield, see Preisshofen, F., ‘Phidias-Daedalus auf dem Schild der Athena-Parthenos? Ampelius 8,10’, JDAI 89 (1974), 5069 Google Scholar.

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30. Root, M. C., ‘The Parthenon frieze and the Apadana reliefs at Persepolis: reassessing a programmatic relationship’, AJA 89 (1985), 103-20CrossRefGoogle Scholar, pls. A, 22-25 (quotation from 120). See also her The King and Kingship in Achaemenid Art: essays on the creation of an iconography of empire (Leiden, 1979).

31. Ares temple: Harrison, E. B.The classical high-relief frieze from the Athenian Agora’, AKGP II, pp. 109-17Google Scholar, pls. 117-22 (doesn’t belong to the temple); Poseidon temple, Sounion: Felten, F. and Hoffeiner, K., ‘Die Relieffriese des Poseidontempels in Sunion’, AM 102 (1987), 169-84Google Scholar, Beil. 1-2; Nemesis temple, Rhamnous: Miles, M. M., ‘A reconstruction of the temple of Nemesis at Rhamnous’, Hesperia 58 (1989), 131249 CrossRefGoogle Scholar, pls. 29-48, and see p. 18 above for the cult statue and base.

32. Hephaisteion: Bockelberg, S. von, AntPl 18 (Berlin, 1979), 2350 Google Scholar, pls. 10-48 (430-425 B.c.). Harrison, E. B. denies that the temple is the Hephaisteion and names it the temple of Artemis Eukleia, AJA 81 (1977), 139, n. 14 Google Scholar.

33. Dörig, J., La frise est de l’Hephaisteion (Mainz, 1985)Google Scholar.

34. Erekhtheion: Boulter, P. N., AntPl 10 (Berlin, 1970)Google Scholar (frieze); Schmidt, E. E., AntPl 13 (Berlin, 1973)Google Scholar (copies of the Caryatids); Lauter, H., AntPl 16 (Berlin, 1976)Google Scholar (the Caryatids); M. Brouskari, ‘ ΖΩΙΔΙΑ ΛΑΙΝΕΑ. Nouvelles figures de la frise de l’Erechtheion’, Kanon, pp. 60-8, pls. 15-16.

35. Jeppesen, K., The Theory of the Alternative Erechtheion (Aarhus, 1987)Google Scholar.

36. Nike temple: Mattingly, H. B., ‘The Athena Nike temple reconsidered’, AJA 86 (1982), 381-5Google Scholar (late 420s B.C.). See also E. Simon, ‘Zur Sandalenlöserin der Nikebalustrade’, Kanon, pp. 69-73, pls. 20-21 on the balustrade. Ilissos temple: Picon, C. A., ‘The Ilissos temple reconsidered’, AJA 82 (1978), 4781 CrossRefGoogle Scholar (425-420 B.c.); Krug, A., AntPl 18 (Berlin, 1979), 721 Google Scholar, pls. 1-9; Miles, M. M., ‘The date of the temple on the Ilissus River’, Hesperia 49 (1980), 309-25CrossRefGoogle Scholar, pls. 91-6 (435-430 B.c.); Childs, W. A. P., ‘In defense of an early date for the frieze of the temple on the Ilissus’, AM 100 (1985), 207-51Google Scholar, pls. 43-5 (440s).

37. Harrison, E. B., AJA 85 (1981), 233 Google Scholar.

38. Platner, S. B. and Ashby, T., A Topographical Dictionary of Ancient Rome (Oxford, 1929), pp. 1516 Google Scholar; Nash, E., A Pictorial Dictionary of Ancient Rome I (London, 1961), pp. 28-9Google Scholar.

39. Rocca, E. La, Amazzonomachia, Le sculture frontonali del tempio di Apollo Sostano (Rome, 1985)Google Scholar; Le sculture frontonali del tempio di Apollo Sosiano a Roma’, AKGP II, pp. 5158 Google Scholar, pls. 95-9, Beil. 3. See now R. M. Cook, ‘The Pediment of Apollo Sosianus’, AA 1989, 525-8, for a different arrangement of the fifth-century compositon.

40. For Theseus, see Boardman GSCP fig. 134; for the kneeling Amazon from the earlier pediment, see Boardman GSAP fig. 205.1.

41. See p. 7.

42. For the Niobid figures, see Boardman GSCP fig. 133.1-3. For the Niobids in art, see Cook, R. M., Niobe and her children (Cambridge, 1964)Google Scholar. For Greek art in Rome, see Pollitt, J. J., ‘The impact of Greek art on Rome’, TAPA 108 (1978), 155-74Google Scholar.

43. For the latest statement, see Yalouris, N., ‘Die Skulpturen des Asklepiostempels von Epidauros’, AKGP II, pp. 175-84Google Scholar, pls. 148-53, Beil. 4. This volume has much more on other fourth-century architectural sculpture. See also Brown, B. R., Anticlassicism in Greek sculpture of the fourth century B.C. (New York, 1973)Google Scholar for new trends. For Skopas and Tegea, see p. 20.

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45. Carter, J. C., The Sculpture of the temple of Athena Polias at Priene (London, 1983)Google Scholar.

46. Reports of the Danish Archaeological Expedition to Bodrum are beginning to appear, published by Aarhus University Press: 1. The Sacrificial Deposit (1981); 2. The Written Sources and the Archaeological Background (1986). To come are; 3. The Maussolleion Terrace and Accessory Structures and 4. The Sepulchral Monument: Site, Foundation, Tomb Chamber and Superstructure. See also Hornblower, S., Mausolus (Oxford, 1982), ch. IX Google Scholar.

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48. Robertson HGA, pp. 457-8; SHGA, pp. 184-5.

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