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I. Text
Published online by Cambridge University Press: 05 February 2016
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Homer speaks to us in a bizarre dialect. Such vocalisms as and such formations as and are philological impossibilities; such a word as combines the peculiarities of both Aeolic and Ionic speakers of Greek, and could have been heard from the lips of neither; long words such as scan only by arbitrary licence, phrases such as seem not to scan at all. Yet commentators praise the euphony and onomatopoeia of the verses, and warn us severely that ‘unless readers of Homer are careful to sound every line (for the “inner ear” at least) many very beautiful effects of euphony will be missed’. What reason have we for supposing we hear the authentic voice of Homer ? Bound within the chaste, dark covers of the Clarendon Press, introduced by a solid, unread, praefatio, the regular columns of Greek, unsullied by lacunae or cruces, make Homer appear an unusually undisputed text. Indeed, the major editions likely to come into the hands of readers today differ little. It will be. candid to confess that such credit-worthiness is illusory. The foundations of the Homeric text are among the shakiest of any that have come down to us. I do not suggest that the text was ever the playground of dull redactors or carefree interpolators; I refer to the known or inferable facts of its transmission.
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References
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page no 4 note 4 Venetus A preserves the system of accentuation described by Herodian whereby vowel + nasal functions as a sort of diphthong, so ív9á τε, ανδρά μοι, like OTKÓÇ τε.
page no 5 note 1 Only three of Allen’s 188 MSS. fail to read the unmetrical Ικωμαι at 1 414 (a very old reading, known to the ancient grammarians); they read Τκωμι, a vox nihili and an obvious conjecture. Yet we must not suppose a single archetype. A general fluctuation is as rife in the papyri as it is in the medieval manuscripts.
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page no 6 note 4 Examples in van der Valk, Textual Criticism .61 ff., and Stanford, Sound of Greek.
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