Hostname: page-component-586b7cd67f-tf8b9 Total loading time: 0 Render date: 2024-11-26T15:50:32.699Z Has data issue: false hasContentIssue false
  • English
  • Français

Martin Stokes. The Arabesk Debate, Music and Musicians in Modern Turkey. Oxford: Clarendon Press, 1992, xii+264 pp.

Published online by Cambridge University Press:  21 July 2015

Nükhet Sirman
Nükhet Sirman*
Affiliation:
Boğaziçi University, Department of Sociology
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Review
Information
New Perspectives on Turkey , Volume 12 , Spring 1995 , pp. 166 - 170
Copyright
Copyright © New Perspectives on Turkey 1995

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Abu-Lughod, Lila. 1986. Veiled Sentiments. Honor and Poetry in a Bedouin Society. Berkeley: University of California Press.Google Scholar
Hann, Chris. 1993. “Culture and Anti-Culture: The Spectre of Orientalism in New Anthropological Writing on Turkey,” Journal of the Anthropological Society of Oxford, XXVI (3), Michealmas, pp. 223-243.Google Scholar
Kafadar, Cemal. 1989. “Self and Others: The Diary of a Dervish in Seventeenth Century Istanbul and First Person Narratives in Ottoman Literature”, Studia Islamica, 69, pp. 120-150.Google Scholar
Özbek, Meral. 1991. Popüler Kultur ve Orhan Gencebay Arabeski. İstanbul: İletişim.Google Scholar