When, in the mid-1930s, T.S. Eliot was asked whom he considered the most influential English writer, he replied: ‘Christopher Dawson’. Such a statement may cause surprise, if not disbelief. For Christopher Dawson, whose centenary is celebrated this month, is today a largely forgotten figure and his once influential books seem everywhere to be gathering dust. The reasons for this will be better understood by considering Dawson’s work in the wider context of his intellectual development. Only then will it be possible to reassess the strength of his scholarship and to highlight the relevance that his vision might still hold today.

Dawson is frequently associated with that group of writers and intellectuals who continued the tradition of Chesterton and Belloc to mark the English Catholic ‘revival’ of the 1930s. To some extent this tendency is understandable, since much of Dawson’s work was in fact aimed at making Catholicism intellectually accessible to a largely Protestant or secularized audience. But his association with Chesterton and Belloc can also be highly misleading, for, unlike the latter’s militant and prolific writings, there was nothing apologetic or polemic about Dawson’s work. Indeed, its fairness and serenity came as a breath of fresh air to the Catholic scholarship of the twenties and thirties, even inviting the respect and praise of non-Catholic contemporaries like Dean Inge, Sir James Marriott and H.A.L. Fisher.