A strict ascetic mystic belonging to a religious reform movement in the heady atmosphere of counter-reformation Spain; a writer of treatises on the techniques of contemplative and mystical prayer; esoteric, strict, demanding, even dry and humourless—strange for a close intimate of the great Teresa, so human, witty and compassionate—but undoubtedly at the same time a man consumed by the love of God. This is most probably the image conjured up by the name of John of the Cross.

And yet he is also well known, even famous, for his poems—you will find them tucked in at the back of Professor Allison Peers’ magisterial presentation and translation of the Complete Works, though you will also find them published in the Penguin Classics series. What sort of poet is he? A real poet, or one of those religious versifiers who present their ideas on the life of prayer in this superficial, yet attractive, form for the sake of their simpler listeners? There were many of these to be found in 16th Century Spain.

A real poet many will claim; but those who take this side of him seriously and acclaim him as one of the peninsula’s greatest poets are more likely to be found amongst the unreligious, the secular, students of Spanish literature than amongst those who follow his doctrine.

John of the Cross was indeed a poet of stature, together with being most of the other things mentioned; but not many people have attempted to present this so that it can be seen as a whole, so that we can get what he has left to posterity in perspective.