In the decades surrounding the Second World War, a number of French theologians made a concerted plea for theological renewal in the Catholic Church. Their approach—often referred to as la nouvelle théologie—included a sharp critique of the regnant neo-Thomist separation between nature and the supernatural. These nouvelle theologians insisted that “historicism,” on the one hand, was the result of an isolation of the realm of nature, while the “extrinsicism” of the supernatural realm, on the other hand, had led to ecclesial entrenchment and hierarchical authoritarianism.Footnote 1 Footnote 2 As a result, nouvelle théologie looked beyond the neo-Thomist scholasticism of the late nineteenth and early twentieth centuries for a ressourcement of the “Great Tradition”—especially the Church Fathers, but also medieval theology—in order to effect both theological and cultural renewal. For the nouvelle theologians, the pressing question was: to what extent are we willing to correct a modern, positivist approach to reality, as expressed in the neo-Thomist tradition, with a sacramental view, one that chastens the Aristotelianism and intellectualism of St. Thomas by appealing to the Platonist-Christian synthesis that has characterized much of the Church's tradition, and to some extent continues to influence also Thomas Aquinas himself?Footnote 3
My focus will be a group of four theologians: Henri de Lubac (1896–1991), Henri Bouillard (1908–81), Hans Urs von Balthasar (1905–88), and Marie-Dominique Chenu (1895–1990). They are united in their opposition to the baroque scholasticism of neo-Thomism and its nature – supernatural divide.Footnote 4 I will note in each of the four authors a concern for a sacramental mindset that regards the created order as symbolic in character, so that it makes the supernatural reality present to the world of time and space. At the same time, however, the various nouvelle theologians pursued this sacramental ontology each with their own distinct emphasis. De Lubac and Bouillard tended to draw on the Greek Church Fathers and the neo-Platonic tradition; so, they highlighted the sacramental link in its upward direction: nature pointed upward to the supernatural, thus making it present.Footnote 5 Balthasar and Chenu tended to be a great deal more critical of the Platonic tradition and were fearful of an idealism that undermined the goodness of creation; as a result, they accentuated the sacramental connection in its downward direction: the Incarnation valued the created order and thereby gave it its sacramental character. To be sure, we should not turn these differences into a contrast.Footnote 6 As I hope to show, a sacramental ontology, informed by a ressourcement of the Church Fathers, informs each of the nouvelle theologians.
Henri de Lubac: Natural Desire as Sacramental Presence
De Lubac's 1946 publication, Surnaturel, uncompromisingly rejected commentatorial Thomism and sounded a clarion call for a reintegration of theology and philosophy. Specifically, de Lubac objected to two developments in the neo-Thomist tradition: the rise of the notion of pure nature and the denial of a natural human desire for the beatific vision. The notion of pure nature was, in the neo-Thomist tradition, a human state in which God hypothetically could have created Adam. That is to say, according to his absolute power God could have created Adam without original justice and sanctifying grace. Before long, later Thomists worked out this hypothesis into an elaborate scheme in which two parallel orders ran alongside one another, each perfectly following its own course: the natural and the supernatural orders each leading to its own appropriate connatural end. Soon a twofold beatitude, even a twofold vision of God, was the result. Out of concern to minimize any kind of inherent link between nature and the supernatural, the Thomist tradition had turned pura natura from hypothesis into reality. The neo-scholastic defence of the gratuity of grace was, de Lubac believed, a mere smokescreen. He repeatedly insisted that the threat to gratuitous grace lay, not in the notion of a “natural desire” or in attempts to reintegrate the two planes of reality, but in the secularism implicit in the strict separation of the two realms.Footnote 7
De Lubac's ressourcement of the Church Fathers made him positively inclined to a Platonist-Christian synthesis. To be sure, his latent neo-Platonism always remained tempered, and probably with good reason.Footnote 8 It is nonetheless clear that his arduous insistence on a desiderium naturale stemmed from his wish to return to a spirituality that placed mystery and paradox in the centre of its theology.Footnote 9 The desiderium naturale functioned as a “suspended middle” between nature and the supernatural, something that was reserved for human beings alone, and that was theirs as a result of the fact that they were created as spirit,Footnote 10 made in the image of God,Footnote 11 for the sake of the eternal vision of God.
The reason de Lubac was unyielding on the issue of natural desire was his realization that it provided an essential theological link with a patristic, more or less neo-Platonic mindset, which had been sacramental in character. Few emphases were as important to him as this acceptance of paradox and mystery, something he had appropriated through his sustained reading of the Church Fathers and the medieval tradition. A purely positivist theology that refused to acknowledge mystery and wished to remove the scandal of apparent contradictions would always end up isolating and rationalizing one side of the equation and would thus become “heresy properly so called.”Footnote 12 The most serious problem with neo-scholastic theology, from de Lubac's perspective, was that it seemed like “a buildup of concepts by which the believer tries to make the divine mystery less mysterious, and in some cases to eliminate it altogether.”Footnote 13 For de Lubac, it was the very contingency of the historical reality of the imprint of the image of God that gave it the potential to function as the sacramental means of entering into deifying union with the triune God.
Henri Bouillard: Analogy and Sacramental Ontology
When Henri Bouillard joined the Jesuit faculty at Lyons-Fourvière, controversy broke out as soon as he published his dissertation, Conversion et grâce chez S. Thomas d’Aquin, in 1944. The events that ensued would ultimately lead to his being removed from his teaching position in Fourvière in 1950. Much of the controversy resulted from the spectre of Modernist relativism.Footnote 14 Repeatedly, the Dominicans from the St. Maximin studium of Toulouse accused Bouillard of falling into the trap of Modernism, which the 1907 encyclical, Pascendi, had sharply condemned.Footnote 15 And, with the Modernist crisis still in recent memory, the apprehensions were understandable. After all, Bouillard presented a daring interpretation of St. Thomas's views on conversion and grace, in which he placed the Angelic Doctor's theology squarely within the history of the development of doctrine. How could an emphasis on the historical context of Thomas's thought not relativize his theology?
Moreover, the epistemology that enabled this emphasis on historical context and this questioning of inherited Thomist doctrine was one that appeared to take its starting-point in the Kantian turn to the subject. Bouillard made a distinction, derived from St. Thomas, between the absolute character of divine affirmations of doctrine and the contingent character of their linguistic representations.Footnote 16 Both Réginald Garrigou-Lagrange (1877–1964) and his student, Marie-Michel Labourdette (1908–90), located exactly at this point a return to the epistemology advocated by the Modernists. Bouillard, so Garrigou-Lagrange thought, had given up on absolute truth and had made it relative to the human subject.
In actual fact, Bouillard used the doctrine of analogy to construct an ontology that both took human historical and subjective contingency seriously and insisted that it received its significance precisely because of its analogical link with the eternal being of God himself.Footnote 17 We can see this use of analogy particularly when we take a look at the way in which Bouillard interacted with the theology of Karl Barth, on whom he wrote a second, monumental dissertation in 1950.Footnote 18 Here, Bouillard expressed his serious reservations vis-à-vis Barth's understanding of analogia entis as put forward in the Church Dogmatics. When Barth grounded the analogy entirely in the revelation of God's grace, he did so for understandable reasons, reacting against the nearly univocal view of analogy of Cajetan (1469–1534) and especially Suárez (1548–1617). For Cajetan and Suárez, Bouillard explained, concepts themselves were analogous, so that they had the ability to give us actual knowledge of the essence of God. An imperfect but nonetheless direct resemblance pertained, according to these later commentators, between human concepts and the essence of God.Footnote 19 Suárez even went so far as to speak of a “division of being between infinite and finite.”Footnote 20
By contrast, Thomas had borrowed from Denys's apophatic neo-Platonism. Appealing to the sixth-century Syrian monk, Bouillard commented: “The attributes that we borrow from [creatures] to affirm them with regard to God must also be denied being, in order to signify that they do not befit him except in an eminent sense. One will thus say, with pseudo-Denys, ‘God is wise’, ‘God is not wise’, ‘God is super-wise’. Since wisdom has its source in God, it must be that he possesses it. But it is not in him in the way we conceive it, and in that sense we must deny that attribute of him.”Footnote 21 The sub-text clearly read that neo-scholasticism, building on Cajetan and Suárez, had failed to grasp the true meaning of St. Thomas and had thereby abandoned the neo-Platonic tradition and had lapsed into a modern form of rationalism.
Concerned to uphold divine transcendence and the freedom of grace, the neo-Thomist detractors of de Lubac and Bouillard believed that the only means at their disposal was to keep the eternal truth of God as far removed as possible from any human vicissitudes. The theologians of Lyons-Fourvière took a different approach. Refusing to live in a modern, non-sacramental world, de Lubac maintained that God drew human beings to himself by connecting with their natural desire for the beatific vision. The human spirit could become a sacrament of the presence of God. Bouillard insisted that human language, embedded within historical realities and their developments, was able to speak of supernatural, unchanging truth in an analogical fashion. Human signs could make present signified realities. The human spirit and human discourse, both could function as sacramental means to draw human realities into the presence of God.
Hans Urs von Balthasar: Christ as the Hourglass
It is fair to say that the first part of Balthasar's life was characterized by a deep immersion in the Church Fathers, and that de Lubac was largely responsible for these explorations.Footnote 22 Balthasar's kinship with de Lubac meant that he essentially adopted the latter's understanding of the nature-supernatural relationship, including his trepidation regarding the notion of pure nature and his insistence on natural desire for the vision of God. Kevin Mongrain is right to turn Balthasar's sacramental sensibility into a central interpretive key for his work: “God redeems creation qua creation, and hence sacramentally infuses and unites worldly beauty, goodness, and truth with supernatural grace.”Footnote 23
There seems to me, however, a difference in emphasis between de Lubac and Balthasar. De Lubac used his sacramental ontology to highlight that it was really supernatural grace in which nature participated, while Balthasar used the same sacramental ontology to stress that it was nature itself that participated in supernatural grace. Or, to put it differently, while de Lubac, ever the Greek patristic scholar, was keen to emphasize the upward movement of divine ascent, Balthasar's incarnational approach emphasized the downward divine descent into the created realities of this-worldly time and space.Footnote 24
Thus, Balthasar was too fearful of Platonic categories to simply look to the Fathers for the repristination of a sacramental universe.Footnote 25 Interestingly, however, when he looked to individual Church Fathers for assistance in developing his own theological aesthetics, the impression of a rather Platonic patristic universe quickly faded. In his studies of figures as diverse as Irenaeus, Denys, and Maximus, Balthasar consistently emphasized the anti-Platonic aspects of their theology, such as the goodness of the created order, the significance of time and history, and the irreducible difference between Creator and creature. If perhaps this speaks for itself in the case of St. Irenaeus, Balthasar also claimed that there had “hardly been a theology so deeply informed by aesthetic categories as the liturgical theology of the Areopagite,”Footnote 26 in which the created order had thus been able to function as a sacramental means of entering the heavenly mysteries. Denys was a mystical theologian who took his place squarely within the visible Church, and whose doctrine of analogical participation allowed him to put forward a sacramental ontology that saw the “unmanifest” in the beauty of the manifest. And in the theology of Maximus the Confessor, similarity and dissimilarity came to their fullest expression in the hypostatic union of the Incarnation. “[E]veryone recognizes,” commented Balthasar, “that [Maximus’] ontology and cosmology are extensions of his Christology, in that the synthesis of Christ's concrete person is not only God's final thought for the world but also his original plan.”Footnote 27
Balthasar beat a similar drum in his discussion with Karl Barth. While defending analogia entis on the grounds that for Thomas the notion of “being” was not a neutral, overarching concept, Balthasar emphasized the Christological analogy as the climactic fulfilment of the philosophical analogy. He had encountered this Christological structure of the divine – human relationship both in de Lubac and in the Greek Fathers (though perhaps more obviously in Irenaeus and Maximus than in Denys). The result was a reworking of the doctrine of analogy in Christological fashion, in a way that was quite out of line with the neo-scholastic approach to analogy.Footnote 28 Repeatedly, Balthasar employed the image of an hourglass, “where the two contiguous vessels (God and creature) meet only at the narrow passage through the center: where they both encounter each other in Jesus Christ.”Footnote 29 For Balthasar, Christ was the hourglass or the narrow passage where God and creature met. Analogical doctrine, theologically understood, meant that in Christ both similarity and dissimilarity between Creator and creature found their true expression, so that in Christ we could see not only a pointer to God, but could witness the presence of God himself.Footnote 30
Chenu and the Dionysian Character of Theology
The heartbeat of nouvelle théologie was its program of ressourcement. This is true also of Marie-Dominique Chenu,Footnote 31 perhaps despite his obvious interest in social Christian practices.Footnote 32 These practical concerns were always intimately connected to his theological program of ressourcement.Footnote 33 For Chenu, ressourcement only deserved the name if today's social and ecclesial situation would enter into dialogue with the text. As Regent of the Dominican studium of Saulchoir, he published in 1937 his programmatic manifesto, Une école de théologie: Le Saulchoir.Footnote 34 He took the opportunity to lament the theological “system” that had come to dominate scholastic thought in the sixteenth century and had led to a loss of the innovative and creative approach that had been a principle of Thomism itself.Footnote 35 When in 1942 Une école de théologie was placed on the Index, one of the main reasons lay in the fear that Chenu's turn to history would introduce theological relativism.Footnote 36
No doubt, Chenu, along with de Lubac, Bouillard, and Balthasar regarded the neo-Thomist separation between nature and the supernatural, between faith and history, as seriously problematic. Chenu's rejection of such dualism implied a deep appreciation for the experiential character of faith as lying at the root of theology, as well as for the contemplative tradition that Denys had passed on to the Western tradition, particularly via Thomas Aquinas. Theology, explained Chenu, “is the science of salvation. One enters it by an ‘initiation’, and for this the liturgy provides both the ritual and the light. Once again we see that theology remains within the mystery.”Footnote 37
Denys served as the main inspiration for Chenu's own mystical-theological program, as becomes clear from his dissertation. For Denys, mystical contemplation had consisted of “intellectual passivity,” a “knowledge-experience of God under the influence of divine action by way of connaturality: pati divina[suffering divine things].”Footnote 38 There is a genuine sense in which for Chenu, Denys represented the authentic sacramental mindset. St. Augustine’ s “sign,” Chenu would later argue, pointed away from the material world, while Denys's “symbol” acknowledged its inherent value, at the same time anagogically leading the believer into mystical contemplation.Footnote 39 It is in Denys, therefore, that Chenu found what we might call a sacramental ontology, which he believed was capable of overcoming the extrinsicism of the manualist tradition.Footnote 40
I nonetheless need to raise a question with regard to the consistency of this sacramental ontology in Chenu. Joseph Komonchak has made the comment there are “few words that appear more often in these writings of Chenu than the word autonomy.”Footnote 41 For Chenu, the law of the Incarnation meant not just a celebration of the historical and material character of the created order, but also an acceptance of cultural shifts that focused increasingly on the natural realm. As a scholar of twelfth- and thirteenth-century theology, Chenu traced the discovery of nature among twelfth-century theologians and in the process repeatedly made reference to the “desacralizing” of a previously “sacramentalized” world.Footnote 42 The interesting point is that Chenu appeared quite taken with these twelfth-century developments of desacralizing or desacramentalizing, thus seemingly undermining his Dionysian anagogical approach.
In similar vein, he often appealed to “signs of the times,” which we must read carefully and could only ignore at our own peril.Footnote 43 For Chenu, the autonomy of the natural order depended not only on his Thomist appreciation of the created order, but also on his insistence that the Incarnation continued in the Church, and through the Church throughout society, in all sorts of ways. It is not clear how Chenu's strong assertion of a natural telos, independent of the supernatural end of human beings, could avoid lapsing into the very “historicism” that he wished to avoid. Nor is it clear how such an approach fit with the Dionysian theurgical and faith-based reading of reality. A closed, natural finality certainly moved Chenu at times far away from the sensibilities of de Lubac.Footnote 44 Most significantly, perhaps, Chenu's advocacy of a desacralized universe made it difficult for him to sustain the incarnational or sacramental ontology that he was intent on recovering.
To summarize, in reaction against the neo-Thomist tradition, nouvelle théologie embarked on a program of ressourcement in an attempt to recover a sacramental mindset that had been part and parcel of the Great Tradition. There are obvious differences among the four theologians in the ways in which they gave shape to such a sacramental ontology. De Lubac and Bouillard may have emphasized the a-scending character of human participation in divine grace, while Balthasar and Chenu stressed the de-scent of the Incarnation into the created realities of time and space. Moreover, at times, particularly in Chenu, apprehension of Platonic categories went so far as to put into question the sacramental character of reality. It is nonetheless evident that the four theologians shared a deep appreciation for the Greek Fathers, which enabled them to counter the neo-scholastic separation between nature and the supernatural with a sacramental ontology.