It is a truth universally acknowledged that in private life Jane Austen was deeply religious. Henry Austen’s Notice stresses her charity, ‘Faultless herself, she always sought, in the faults of others, something to excuse, to forgive or forget. . . . She never uttered a hasty, a silly or a severe expression.’ Her devotion is the other prominent aspect. ‘She was thoroughly religious and devout; fearful of giving offence to God, and incapable of feeling it towards any fellow creature.’ But critics have generally held that her religion has not influenced her novels in any major way and have given it little attention. An exception was Angus Wilson in his series of broadcast talks on Evil in the English Novel, in which he maintained that religious belief and practice influenced Jane Austen’s art directly, though his suggestion that the material of her novels, ‘Three or Four Families in a Country Village’, reflects a belief that the salvation of one’s soul can best be achieved in retirement from ‘the world’ seems to me to be mistaken. The more one reads the novels the more one becomes aware that they are written from an essentially religious outlook on life but that this is so absorbed and taken for granted in her thinking that it is only occasionally made explicit. And, of course, it is an outlook profoundly influenced by the reading and preaching available to her in the early nineteenth century, characterized by a reticence in the expression of faith and a keen interest in the moral life—‘By their fruits ye shall know them’.

Mansfield Park is the novel in which religious concern is most apparent and not only in the crucial fact of Edmund’s ordination. Yet even here critics have avoided admitting that the chief effect of of the book is to assert the primacy of religion over ethics.