Among those people who are conscious of and annoyed by the complete badness manifest in the building and decoration, in use in the Catholic Church in our days, there are very few who regard the matter as anything more than a superficial defect that can be, with care, remedied. There are few who realise the essentially malignant and even mortal nature of the infection that so ails us.

Most of these people speak with varying degrees of confidence about ways and means of ‘improving the taste of the Faithful,’ of educating people up to this or that notion. Again, others propose the copying on a vast scale the works of certain respectable and accredited masters of the past centuries, thereby improving the ‘outward appearance’ of churches and images. By this manoeuvre they hope to get the unsuspecting worshipper used to the form and comeliness of the Italian primitives and other work of men who lived in more civilized periods than our own so leading them on until, after a very few years of this aesthetic welfare- work, the most suburban Catholic will revile the pink and white- Madonnas as supplied by the ‘church-furniture shop’ and have nothing less than exact reproductions of Giotto or sixth century Byzantine.

Whatever may be said for these sincere attempts of pious people, the root of the matter is left untouched; it is not even approached. The issue is usually confused by a notion of ‘giving the best to God.’ I say confused because it creates in the mind the notion that there can be constructed a kind of scale of beauty, extending from the merely useful objects required for a church (like shelves or pipes or rubber door-mats) to the culminating point in the vestments and the sacred vessels.