Some few years ago I received a letter from Jacques Maritain, asking me if I could do anything to promote the performance in England of Arthur Lourié’s opera Le Maure de Pierre le Grand. This was based on a tale by Pushkin and extracts from it had been given by Stokovski with the Philadelphia orchestra. I did not know the work, and I had no influence in such matters. In the same letter Maritain declared that the time would come when Lourié would be recognized as the greatest composer of the century. That time has not come yet: Lourié’s work remains practically unknown, except to a few initiates. Until more performances of it have been given, and recordings from it made, it is obviously difficult for the rest of us to confirm Maritain’s opinion – whether we are musicians, or people like myself who are extremely fond of music. In the meantime curiosity is stirred by the publication of Lourié’s occasional writings under the title of Profanation et Sanctification du Temps.

Louri? and his wife are now living in Maritain’s house at Princeton and Maritain’s opinion is that of a close friend to whom this book is dedicated. It is supported, however, by independent and competent judges, like Henri Marrou, an eminent humaniste, and the musical critics Fred Goldbeck and Boris de Schloezer. Their testimony is printed as an appendix to this volume, which is admirably prefaced by Jean Mouton. The title is taken from a lecture given in 1963 at the Dominican monastery of La Tourette where the problem of Dieu et le monde moderne was under discussion. Lourié has no illusions about the monde moderne!