Hostname: page-component-586b7cd67f-t7czq Total loading time: 0 Render date: 2024-11-25T17:48:27.193Z Has data issue: false hasContentIssue false

Studies on The Mayan Mortars Technique

Published online by Cambridge University Press:  26 February 2011

Diana Magaloni
Affiliation:
Instituto de Investigaciones Estéticas, UNAM, Mexico City
R. Pancella
Affiliation:
Laboratoire de Conservation de la Pierre, EPFL, Lausanne, Switzerland
Y. Fruh
Affiliation:
Laboratoire de Conservation de la Pierre, EPFL, Lausanne, Switzerland
Jaqueline CaÑetas
Affiliation:
Instituto de Física, UNAM, México City
V CastaÑo
Affiliation:
Instituto de Física, UNAM, México City
Get access

Abstract

This paper explores the technology that Mayan artisans used in the preparation of the lime renderings for mural painting. The Mayan mixed lime with some kind of organic material, which presents amino acids in its composition.

Mortars from 16 different archaeological sites were analyzed by several analytical methods: optical microscopy followed by specific staining tests over cross sections, gas chromatography/mass spectroscopy and scanning electron microscopy. The first results pointed out that the use of an organic additive in the lime plasters′ substrates of mural paintings was a wide spread technology used in the Maya area -with some variations depending on the site location and its chronology. This finding suggested that the addition of such material would probably modify the mechanical resistance of the lime plaster substrates.

Type
Research Article
Copyright
Copyright © Materials Research Society 1995

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

REFERENCES

1. , Mills, , John and , Raymond, , White: The Organic Chemistry of Museum Objects (Butterworths, London, 1987), p.73.Google Scholar
2. , Gay, Christine, Marie: “Essais d'identification et localisation des liants picturaux par des colorations specifiques sur coupes minces” in Annales des Laboratoire de Recherche de Museés de France, (Paris, 1970) pp 824.Google Scholar
3. , Mills, , John, White, R.,(op, cit ) p. 74 Google Scholar
4. , Pancella, , Renato, Bart, R., Furlan: “Application de la chromatograpie en phase gazeuse a l'identification de matiéres organiques dan les couches picturales” in Methods for the Preservation of Cultural properties (Françoise Schweizer/Verena Villiger, editors, Swizerland, 1988), pp.4243 Google Scholar
5. John, Mills, White, R., op.cit. p.77 Google Scholar
6. Magaloni, Diana, Sigel, R., VM, Castahio, Lee, R., Bafios, L., “Electron Microscopy studies of the Cronological Sequences ofTeotihuacan Plaster Technique” in Materials Issues in Art and Archaeology III Symposium Proceedings, Vol 267,(Vandivier, P., Druzik, J., Wheeler, G. and Freestone, I., editors, MRS, 1992), pp.9971005.Google Scholar