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Dreaming through the Ages: Towards a Global History of Utopian and Dystopian Thought
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Published online by Cambridge University Press: 04 September 2019
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For the five hundred years since Thomas More first depicted the island of Utopia, the portrayal of an ideal social system has intrigued generations of authors. The concept served a double purpose: it applied to an ideal place (eutopia) but also an imaginary, unrealizable one (utopia). Although the search for utopia started from the Classical Age, More invented the genre and hundreds of utopian thinkers followed in his footsteps trying to predict how life would unfold and provide a detailed description of an ideal (or nonideal) future society. From H. G. Wells and Aldous Huxley to Arthur C. Clarke and Ursula Le Guin, successful and popular authors showed a deep concern for future living and working conditions. If the past is another country, the growing literature of utopian thought suggests that the future can be a whole continent. Several undiscovered countries lay in waiting and intellectual historians have often been fascinated by the dense explorations of the utopian writers.
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References
1 For a concise bibliography of some of the most recent works see Sargent, Lyman Tower, “Bibliography of Secondary Sources,” in Schaer, Roland, Claeys, Gregory and Sargent, Lyman Tower, eds., Utopia: The Search for the Ideal Society in the Western World (Oxford, 2000), 377–80Google Scholar.
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3 Claeys follows Solzhenitsyn by characterizing the twentieth century as “the cave man's century” (Dystopia, 113).
4 In particular, the Cold War seemed to be an era in which the gap between utopia and dystopia diminished. According to Booker, early Cold War films and novels “were often filled with ambivalence and contradictions” due to “the rise of late capitalism and its cultural logic, postmodernism [Jameson].” Booker, M. Keith, Monsters, Mushroom Clouds, and the Cold War: American Science Fiction and the Roots of Postmodernism, 1946–1964 (Westport, 2001), 4Google Scholar.
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45 His disdain for the Soviet space programme was possibly one of the reasons behind his preference for an island utopia. His Brave New World Revisited (1958) proposed actions to be taken to prevent the so-called totalitarian outlook of the future. Here, dystopia turned into a cookbook for future political recipes.
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