From 1939 to 1941, Mei Niang (b. 1920) penned three of her most famous novellas, Bang (Clam)(1939), Yu (Fish)(1941), and Xie (Crabs)(1941). Each of these works sheds light on the struggle of Chinese feminists in Japanese-occupied north China to realize ideals that stood in stark contrast to the conservative constructs of ‘good wives, wise mothers’ (xianqi liangmu) favoured by colonial officials. The contemporary appeal of Mei Niang's work is attested to by a catch-phrase, coined in 1942, that linked her with one of the most celebrated Chinese women writers of the twentieth century, Zhang Ailing (1920–1995): ‘the south has Zhang Ailing, the north has Mei Niang’ (Nan Ling, Bei Mei). Both women attained great fame in Japanese-occupied territories, only to have their achievements tempered by condemnation of the environments in which they forged their early careers. The Chinese civil war that followed the collapse of the Japanese empire propelled the two writers along divergent trajectories: Zhang Ailing moved to Hong Kong and the United States, where she achieved iconic status, while Mei Niang remained in the People's Republic of China, to be vilified. As one of the pre-eminent ‘writers of the enemy occupation’ (lunxian zuojia), Mei Niang was persecuted by a Maoist regime (1949–1976) dedicated to the refutation of the Japanese colonial order in its entirety.