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Communal Harmony as Governmentality: Reciprocity, peace-keeping, state legitimacy, and citizenship in contemporary India*

Published online by Cambridge University Press:  20 August 2014

NANDAGOPAL R. MENON*
Affiliation:
Centre for Modern Indian Studies, University of Göttingen, Germany Email: [email protected]

Abstract

Debates about secularism in post-independence India have often revolved around the visions of two of the country's founding fathers—M. K. Gandhi and Jawaharlal Nehru. A sharp distinction is drawn between them by those who argue that the Gandhian model (or, what in common parlance and state discourses is called communal harmony) stems from Indian cultural and religious values, and lies beyond the realm of the state. The Nehruvian model, however, is a state project through and through. This article transcends this dichotomy to show that the association of Nehru and Gandhi with these models does not necessarily mean that secularism and communal harmony faithfully reflect their ideas and, despite the differences in their aims and methods, both models are united in the discourses and practices of the state as strategies of ‘governmentality’. After redefining the core of communal harmony as reciprocity (rather than tolerance), I show how it is performed, how it supplements the state's efforts to keep the peace in a religiously plural society by the force of law, and shores up the state's legitimacy deficit. However, the state's simultaneous involvement in Nehruvian and Gandhian projects is not an innocuous fact because it undermines the state's constitutional and secular obligations to non-discriminatory citizenship in the Indian nation. The argument is that the state's endorsement of dargah-centred Islamic piety as an exemplary site of communal harmony and particular ideas of the Indian nation legitimized by communal harmony ‘problematizes’ the national belonging of certain kinds of pious Muslims.

Type
Research Article
Copyright
Copyright © Cambridge University Press 2014 

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Footnotes

*

Non-incriminating thanks is due to Patrick Eisenlohr, Martijn Oosterbaan, Roschanack Shaery, the two anonymous reviewers of Modern Asian Studies, and my former colleagues at the Department of Cultural Anthropology, Utrecht University. A special thanks to Sarbari Sinha for helping me edit this article.

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