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Women of ‘Ill Repute’: Ethics and Urdu literature in colonial India
Published online by Cambridge University Press: 23 April 2014
Abstract
The courtesan, the embodiment of both threat and allure, was a central figure in the moral discourses of the Muslim ‘respectable’ classes of colonial North India. Since women are seen as the bearers of culture, tradition, the honour of the family, community, and nation, control over women's sexuality becomes a central feature in the process of forming identity and community. As a public woman, the courtesan became the target of severe moral regulation from the mid-nineteenth century onwards. The way in which the courtesan was invoked within aesthetic, ethical, and legal domains shifted over time, and by the third decade of the twentieth century, there appeared a new way of speaking and writing about the ‘fallen woman’ within the Urdu public sphere. A social critique emerged which heralded the prostitute-courtesan as an ethical figure struggling against an unjust social order. Since the courtesan symbolized both elite Mughal court culture as well as its decay, she was a convenient foil for some nationalists to challenge the dominant idioms of nationalist and communitarian politics. Moreover, certain late medieval and early modern Indo-Persian ethical concepts were redeployed by twentieth century writers for ‘progressive’ ends. This illustrated a turn to progressive cultural politics that was simultaneously anti-colonial and anti-communitarian, while maintaining a critical posture towards the dominant idioms of Indian nationalism.
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References
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72 Qazi Abdul Ghaffar was not alone in this endeavour. The poet Sher Khan ‘Boom’ Meerathi narrated the tale of a prostitute named Tamīzan (her name literally means ‘manners’) who was murdered by the eldest son of a landlord's family when she refused to marry him. Boom wrote a satirical poem about the incident called ‘Qatl-i-Tamīzan’ (‘Murder of Tameezan’) which is still printed in Meerut as a chapbook in Urdu and Hindi. Boom used to recite and sell the poem himself in the streets of Meerut during the 1940s. Another short story in epistolary form, which takes on the voice of the tawā’if, is Krishan Chander's Ek Tawaif Ki Khat: Jawaharlal Nehru aur Muhammad Ali Jinnah Ke Nam (A Letter from a Prostitute to Nehru and Jinnah), written shortly after 1947. The letter humbly beseeches the leaders of the new nation-states of India and Pakistan to visit the tawā’if's home in Bombay, where she is taking care of two women sexually violated and rendered homeless by Partition.
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