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⁴ “Conference Notes,” Script, 1–3, folder The Treasure of the Sierra Madre–script notes undated, John Huston Papers, Margaret Herrick Library of the Academy of Motion Pictures Arts and Sciences, Beverly Hills, CA [hereafter JHP].

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⁹ Huston, An Open Book, 143.

¹⁰ Herman Lissuer to John Huston, “Treasure of the Sierra Madre,” May 13, 1946, WBA. On the revisions to the Mexican Constitution in the Venustiano Carranza administration, see Meyer, Lorenzo, Mexico and the United States in the Oil Controversy, 1917–1942 (Austin, TX, 1977)Google Scholar.

¹¹ This casting possibility is mentioned in correspondence between Huston and Traven in December 1946. See Cohen and Lawton, John Huston, 283.

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¹³ John Huston, Conference Notes, undated, folder The Treasure of the Sierra Madre–script notes undated, JHP.

¹⁴ Gardner, Gerald C., The Censorship Papers: Movie Censorship Letters from the Hays Office 1934–1968 (New York, 1987), xxiiGoogle Scholar.

¹⁵ Lillian Ross, “Come in, Lassie,” The New Yorker, Feb. 21, 1948, 40–2. The explanation, moreover, conforms to Marx's definition of the commodity, an “external object” that is put to use for various human purposes, but which can only be brought into relation with other objects of differing use-values through a comparison of the labor-power required to produce each object. Karl Marx, Capital: A Critique of Political Economy, Volume I, trans. Ben Fowkes (London, 1990), 125–8.

¹⁶ Henry Blanke to Geoffrey Sherlock, June 26, 1942, folder The Treasure of the Sierra Madre–John Huston 1948, Motion Picture Association of America and Production Code Administration Records, JHP.

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