Hostname: page-component-586b7cd67f-vdxz6 Total loading time: 0 Render date: 2024-11-24T22:45:32.308Z Has data issue: false hasContentIssue false
  • English
  • Français

Rock Art and Archaeological Context: The Case of the Tadrart Acacus (Libya)1

Published online by Cambridge University Press:  03 March 2015

Barbara E. Barich
Barbara E. Barich*
Affiliation:
Department of Historical Sciences, University of Rome‘La Sapienza’
Get access Rights & Permissions [Opens in a new window]

Abstract

It is proposed that the problem of the relationships between prehistoric art and archaeological context should not be based upon specific examples, but rather upon a global consideration of the stratigraphic sequence known for any given area. This paper addresses this general problem, using the particular data provided by research in the Tadrart Acacus (Libya). The methods used in the field work and the sequence of occupation reconstructed for the entire region are presented. As a specific example, the site of Uan Muhuggiag in the Wadi Teshuinat is discussed. As a result of its deep stratigraphy it is possible to establish precise connections between different artistic ‘styles’ and particular cultural horizons.

Type
Research Article
Information
Libyan Studies , Volume 21 , 1990 , pp. 1 - 8
Copyright
Copyright © Society for Libyan Studies 1990

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Footnotes

1

Paper presented at the Conference: ‘Arte Preistorica del Sahara’, Florence 5–9th May 1986.

References

Barich, B. E. 1974. La serie stratigrafica dell'Uadi Ti-n-Torha (Tadrart Acacus, Libia) — per una interpretazione delle facies a ceramica saharo-sudanesi. Origini 8:7–184.Google Scholar
Barich, B. E. 1978a. Nuove evidenze nell'area del Tadrart Acacus (Fezzan) – Missione congiunta Libico-Italiana per ricerche Sahariane (Anno 1978). Libya Antiqua 15:279–302.Google Scholar
Barich, B. E. 1978b. Lo scavo di Uan Muhuggiag (Teshuinat) e attivita' di Survey nell'Acacus Settentrionale. Libya Antiqua 15: 305–316.Google Scholar
Barich, B. E. 1987a. Methodology and history of the research in the Tadrart Acacus area. In Barich, B. E. (ed.), Archaeology and Environment in the Libyan Sahara. Excavations in the Tadrart Acacus 1978-1983: 3–12. Oxford, British Archaeological Reports, International Series 368 (CMAA 23).Google Scholar
Barich, B. E. 1987b. Conclusions: The Tadrart Acacus contribution to the study of cultural change in the Sahara. In Barich, B. E. (ed.), Archaeology and Environment in the Libyan Sahara, cit.: 331–340.Google Scholar
Barich, B. E. 1989. Food production as a process: two examples from the Sahara, Atti della XXVII Riunione Scientifica dell'I.I.P.P. — Dottrina e metodologia della ricerca preistorica (02/11/1987): 429–439. Ferrara, Universita' degli Studi.Google Scholar
Close, A. E. 1987. The lithic sequence from the Wadi Ti-n-Torha (Tadrart Acacus). In Barich, B. E. (ed.), Archaeology and Environment in the Libyan Sahara, cit.: 63–85.Google Scholar
Gautier, A. 1987. The archaeozoological sequence of the Acacus. In Barich, B. E. (ed.), Archaeology and Environment in the Libyan Sahara, cit.: 283–308.Google Scholar
Le Quellec, J. L. 1987. L'art rupestre du Fezzan septentrional (Libye): Widyan Zreda et Tarut (Wadi Esh-Shati). Oxford, British Archaeological Reports, International Series 365 (CMAA 22).CrossRefGoogle Scholar
Lewis-Williams, J. D. 1981. Believing and Seeing. Symbolic Meanings in Southern San Rock Paintings. London, Academic Press.Google Scholar
Marcolongo, B. 1987. Natural resources and palaeoenvironment in the Tadrart Acacus: the non-climatic factors determining human occupation. In Barich, B. E. (ed.), Archaeology and Environment in the Libyan Sahara, cit.: 269–282.Google Scholar
Mori, F. 1965. Tadrart Acacus. Arte rupestre e culture del Sahara Preistorico, Torino: Einaudi.Google Scholar
Mori, F. 1971. Proposta per una attribuzione alla fine del Pleistocene delle incisioni della fase piu' antica dell'arte rupestre sahariana, Origini 5:7–19.Google Scholar
Pasa, A.e Pasa-Durante, M. V. 1962. Analisi paleoclimatiche nel deposito di Uan Muhuggiag, nel Massiccio dell'Acacus (Fezzan Meridionale). Memorie Museo Civico di Storia Naturale di Verona 10: 251–255.Google Scholar
Puglisi, S. M. 1981. Nuove prospettive nelle ricerche preistoriche in Libia, Culture 7–8:109–114.Google Scholar
Schulz, E. 1987. Holocene vegetation in the Tadrart Acacus: the pollen record of two early ceramic sites. In Barich, B. E. (ed.), Archaeology and Environment in the Libyan Sahara, cit. : 313–326.Google Scholar