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Published online by Cambridge University Press: 03 March 2015
1 Padova (1932).
2 Rome (1975).
3 Paribeni, E.Catalogo delle Sculture di Cirene: Statue e Rilievi di Carattere Religioso, Rome (1959)Google Scholar; Rosenbaum, E.Catalogue of Cyrenaican Portrait Sculpture. London (1960)Google Scholar; Huskinson, J. RomanSculpture From Cyrenaica in The British Museum (CSIR II,i), London (1975)Google Scholar.
4 Naville, L.Les Monnaies d'Or de la Cyrénaïque. Geneva (1951)Google Scholar; Robinson, E. S. G.British Museum Catalogue of Greek Coins of Cyrenaica, London (1927)Google Scholar.
5 E.g. Cyrene 14420, 14213-14, 14216, Paribeni op. cit., nos: 176-9, pp. 75-6; Smith, A.Catalogue of Greek, Roman and Etruscan Sculpture in the British Museum. Vol. 1, London 1892Google Scholar, BM Sc. 790, 363-65, and Vol. 2, London 1900, BM Sc. 1384, p. 227.
6 The best discussions on the Panhellenion are still Spawforth, A. J. and Walker, S. ‘The World of the Panhellenion 1: Athens and Eleusis’ in Journal of Roman Studies 75 (1985): 78–104CrossRefGoogle Scholar; and ‘The World of the Panhellenion II: Three Dorian Cities’ in Journal of Roman Studies 76 (1986): 88–105CrossRefGoogle Scholar.
7 E.g. SEG 9: 136.