1. In this regard most of the criticism thus far has been published in Spain: Cuadernos Hispanoamericanos 604 (October 2000), dossier compiled by Teodosio Fernández; Desafíos de la ficción, ed. Eduardo Becerra (2002); lago de Balanzó et al., Cuadernos de la Cátedra de las Américas I (2004); José Luis de la Fuente, La nueva narrativa hispanoamericana (2005); Cuadernos Hispanoamericanos 673-674 (July-August 2006), dossier compiled by the Barcelona-based Valencia; Guaraguao 13, no. 30 (summer 2009); and Éste que ves, engaño colorido ... Literaturas, culturas y sujetos alternos en América Latina, ed. Chiara Bolognese, Fernanda Bustamente, and Mauricio Zabalgoitia (2012). Compare the production from the Americas; Jorge Fornet, Los nuevos paradigmas: Prólogo narrativo al siglo XXI (2006); “La narrativa del milenio en América Latina,” special issue, Nuevo texto critico 21, nos. 41-42 (2009), survey and interviews by Ruffinelli; and a study of over sixty new authors, The Contemporary Spanish American Novel: Bolaño and After, edited by Will H. Corral, Juan De Castro, and Nicholas Birns (Bloomsbury, 2013). Babelia, the cultural supplement of El Pais, continuously publishes decidedly arbitrary and commodified dossiers on national literatures.