Published online by Cambridge University Press: 12 October 2022
1. Antonio Olliz Boyd, “The Concept of Black Awareness as a Thematic Approach in Latin American Literature,” in Blacks in Hispanic Literature: Critical Essays, edited by Miriam DeCosta (Port Washington, N.Y.: Kennikat Press, 1977), 65–73.
2. Martha Cobb, Harlem, Haiti, and Havana: A Comparative Critical Study of Langston Hughes, Jacques Roumain, Nicolás Guillén (Washington, D.C.: Three Continents Press, 1979).
3. Pedro Barreda, The Black Protagonist in the Cuban Novel, translated by Page Bancroft (Amherst: University of Massachusetts Press, 1979).
4. Leslie N. Wilson, La poesía afroantillana (Miami: Ediciones Universal, 1979).
5. Keith Ellis, Cuba's Nicolás Guillén: Poetry and Ideology (Toronto: University of Toronto Press, 1983), 59–96.
6. Nancy Morejón, Nación y mestizaje en Nicolás Guillén (Havana: Ediciones Unión, 1982), 153–222.
7. For example, G. R. Coulthard's Race and Colour in Caribbean Literature (London: Oxford University Press, 1962); and Lemuel A. Johnson's The Devil, the Gargoyle, and the Buffoon: The Negro as Metaphor in Western Literature (Port Washington, N.Y.: Kennikat Press, 1971).
8. Oscar Fernández de la Vega and Alberto N. Pamies, Iniciación a la poesía afro-americana (Miami: Ediciones Universal, 1973); and Miriam De Costa, Blacks in Hispanic Literature.
9. Edward J. Mullen, The Life and Poems of a Cuban Slave: Juan Francisco Manzano, 1797–1854 (Hamden, Conn.: Archon Books, 1981).
10. An example of a monographic work is Teresa C. Salas and Henry J. Richards's Asedios a la poesía de Nicomedes Santa Cruz (Quito: Editora Andina, 1982). On Caribbean writing, see Mónica Mansour's La poesía negrista (Mexico City: Ediciones Era, 1973); and Wilfred Carrey's Black Images (New York: Teacher's College Press, 1970).
11. I refer to Poesía negra de América: Antología, edited by José Luis González and Mónica Mansour (Mexico City: Ediciones Era, 1976).