Published online by Cambridge University Press: 05 October 2022
1. Selwyn Cudjoe, Transition, no. 58 (1992):126.
2. Ibid.
3. This chronology is based on information provided in James, the Artist as Revolutionary, 174–76; James's Caribbean, 271–73; and the introduction to the James Reader, 2–22.
4. Paul Gilroy, The Black Atlantic: Modernity and Double Consciousness (Cambridge, Mass.: Harvard University Press, 1993).
5. Ibid., p. 2.
6. See Edouard Glissant, Le discours antillais (Paris: Editions du Seuil, 1981); and Glissant, Poetique de la relation (Paris: Gallimard, 1990).