Anti-Black language ideologies manifest in exclusionary language policies (e.g. Sung & Allen-Handy 2019), educational tracking (e.g. Sung 2018), and scholarly claims of Black ‘deficiency’ (Smitherman 2000). A liberal educational research tradition has countered with ethnographic accounts of cultural ‘mismatch’ (Michaels 2006) vis-à-vis Black educational ‘failure’. Conducting a textual analysis of an archive of ethnography of communication texts, I locate multiple genealogical linkages holding between ‘mismatch’ and deprivation discourses, principally ones centered on representations of ‘pathological’ Black ‘matriarchy’. Paralleling Black feminist theorizations of ‘fungible Black flesh’ (e.g. Hartman 1997), I account for these representations by conceptualizing ‘fungible Black sound’. I further argue that ‘fungible fugitivity’ (e.g. Snorton 2017), that is, how Blackness fluidly responds to white incursion is linguistically realized in acts of ‘signifyin(g)’ (e.g. Mitchell-Kernan 1999), yielding the analytic category ‘fungible(ly) fugitive Black sound’. Lastly, I reread an ethnographic text with this analytic to illustrate its affordance for (re)imagining Black futurity. (Black sound, fungibility, fugitivity, raciolinguistic ideologies, ethnography of communication, Black studies)*

This linguistic ethnographic study offers a nuanced pedagogical account of the Arabic term sumud, or ‘steadfastness’, through a sociolinguistic analysis of decolonial modes of expression among Palestinian youth in Israel. I reflect on events during the 2021 uprisings in East Jerusalem, when Palestinian youth within Israel took to the streets in solidarity with Palestinians in Jerusalem and Gaza. Considering the Israeli education system's denationalization of the Palestinian community within its borders, I examine how Palestinian political ideals cultivated outside the formal educational system open new possibilities for political organizing and expression. I reflect upon interviews with members of the Haifa Youth Movement and a Palestinian hip-hop artist and his lyrics. Engaging with Stroud's theorization of linguistic citizenship, I show how pedagogy of sumud as a linguistic citizenship practice opens new semiotic spaces for Palestinian youth in Israel to resist the erasure of their identity. (Linguistic citizenship, sumud pedagogy, Palestinian youth, colonized education)*

The HOLLYWOOD sign is arguably the world's most famous language object. Emblematic of prestige and cultural capital, the sign can be found not just in Los Angeles, but in citations all over the world. Beginning with the history of its valorization, HOLLYWOOD is shown to emanate symbolic value through a set of enregistered semiotic features. Drawing upon a set of globally sourced citations of HOLLYWOOD, the circulation and stratified bundling of size, emplacement, alignment, typeface, and color indicates how the citation of language objects is mediated by political economy. A process of diffuse citation is further observed, in which the quotation of language features is not overt, but the source of emanation is still tangible, revealing HOLLYWOOD as the source of a global linguistic-semiotic register. As this register circulates in citations overt and diffuse, language objects are revealed as key sites for the reproduction of commodity values. (The Hollywood sign, language object, citation, enregisterment, global emblems, recontexualization)*

Firmly grounded in local sociopolitical constraints, language policies at Istanbul's Kurdish-run eating establishments often place Kurdish employees’ cultural identity construction at odds with their workplaces’ economic viability. In the face of rigid structures that cement the dominance of Turkish, the Kurdish managers highlighted in a previous study exercise limited agency to enact language policies that align with their pro-Kurdish ideologies, rendering Kurdish largely invisible. This article revisits these themes by examining a nearby Kurdish-run restaurant with a language policy that violates this norm. Applying Darvin & Norton's (2015) model of investment, analyses of observations and interviews consider identity, ideology, and economic capital vis-à-vis employees’ perceived valuation of Kurdish as a workplace language. Results suggest that capital ownership emboldens the audible articulation of Kurdish identities, which emerge from pluricentrically oriented ideologies, fostering resistance to local language policy norms. (Investment, language policy, capital, Kurdish, ideology, pluricentricity)

Across the contemporary world, neoliberalism operates as an anticipatory regime through which mediatised conceptions of the future are aligned to an aggressive (absolute) marketisation of social life. Alongside a critical, queer-theoretical attention to homonormativity, this article uses multimodal critical discourse studies techniques to analyse how such a neoliberal future for LGBTQ people is envisioned in #HoldTight, a pride campaign by an Australian and New Zealand bank. #HoldTight focused on how the act of holding hands can be turned from a source of shame to a joyful, powerful tool for social action: ‘if you feel like letting go, hold tight’. My cultural-phenomenological analysis of #HoldTight demonstrates how this imbrication of LGBTQ rights discourse and mediatised capitalism engaged embodied, hopeful affects as semiotic resources. In this way, I argue that the bank enshrined a speculative, anticipatory chronotope of a future better world, while validating neoliberal governmentality as a benevolent form of LGBTQ agency. (Neoliberalism, multimodal critical discourse studies, queer linguistics, affect, embodiment, cultural phenomenology)*

My theoretical aim in this article is to focus on an examination of processual enactments of scale in light of the technological affordances that are currently at the disposal of a significant majority of humans. I offer the terms algorithmic scales and algorithmic scalar affordances to describe one activist's engagement of practical theories of scale—her ‘algorithmic imagination’ (Bucher 2017)—which led her to design her audience in ways intended to algorithmically scale up, or amplify, her activities on Facebook—to enhance their spread numerically, rapidly, and translocally, making use of the algorithmically constructed communicative possibilities or affordances available to her on the site. (Social media, scale, algorithms, audience design, Facebook, activism, nation, politics)

This article demonstrates how mediatization facilitates the (re)production of mock language. Through an examination of Chinese netizens’ reactions to a series of viral internet commercials that feature three Hong Kong actors speaking nonstandard Mandarin, it uncovers the processes whereby Gangpu (Hong Kong Mandarin) has become increasingly perceived in China as funny. The vast scale of uptake formulations enabled by mediatization has made it possible for Chinese netizens to engage in a collaborative effort not only in highlighting certain features of Gangpu and certain elements of the commercials but also in presenting them in ways that evoke specific meanings and interpretations. Ultimately, it is through the parodic revoicing of Hong Kong celebrities speaking nonstandard Mandarin that this non-native variety has come to be keyed as humorous. This study shows that we gain a better understanding of how mock practices reinforce and build on each other by tracing their uptake and circulation. (Mediatization, mock language, parody, listening subject, Mandarin Chinese, Hong Kong, China)*

This article aims to illuminate absences in the semiotic landscape of Crimea, resulting from the erasure of Ukraine after Russia's occupation of Crimea in 2014. By foregrounding what is not there, the study expands semiotic landscapes studies and critical sociolinguistic research more generally by interrogating absence and its haunting effects. More than 3,500 photographs of semiotic landscapes collected over two months of fieldwork between 2017 and 2019 together with fieldnotes serve as ethnographic data. The production of absence is interrogated through an analysis of its material effects, that is, voids, holes, and blank walls. It concludes that erasure does not simply negate Ukraine. Instead, pasts remain present, visible, and audible in semiotic landscapes. Absences, as part of a relational ontology of materiality, discourse, and affect, shout about complex invisibilized histories of violence. In this way, they suggest the need to probe traditional approaches in semiotic landscape research that rely on an ontology of presence. (Absence, trace, materiality, ghost, spectre, haunting, Crimea, Ukraine, semiotic landscape, linguistic landscape, interdiscursivity)*

The present article reflects on the concept of ‘spatial repertoire’ through a ‘trans’-perspective in order to explain the trans-formation of migrants’ homescapes during the pandemic—a time of restricted mobility. In the context of translocal im~mobility, this ethnographically informed multiple case study explores how three Greek ‘brain drain’ immigrants performed homescapes in the online-offline nexus from October to February 2020. Employing a critical discourse analytic approach, the findings showcase the pandemic biopolitics that have resulted in the de/reterritorialisation of everyday sociospatial activities, thus creating heterotopic places within the home. Specifically, the integration of work and political activity into the homescape has led to the resemiotisation of the linguistic landscape of homes and the dissolution of boundaries between ‘named’ spaces in homes. The concept of ‘transpatial repertoire’ captures the hybridisation of the pandemic-affected homescape, taking into consideration the vulnerabilities and emergent resistances to biopolitical control. In other words, it sheds light on the emergent heterotopias of im~mobility. (Pandemic, heterotopia, transpatial repertoire, linguistic landscape, homescape)*

Though research on the multiethnolect spoken in London—Multicultural London English (MLE)—has described the social distribution of the variety, the stylistic potentials of MLE remain poorly understood. This article explores the enregisterment and subsequent ‘recontextualisation’ (Bauman & Briggs 1990) of MLE by analysing the linguistic and aesthetic components of a stylistic identity—the ‘roadman’. Specifically, I explore a corpus of TikTok videos to analyse the ways in which linguistic features characteristic of MLE (e.g. pronominal man, discourse-pragmatic styll, fronted /uː/) are co-opted and stylised in parodic performances of the roadman. I demonstrate that these linguistic features co-occur with tropes of personhood (e.g. participation in grime music, overt heterosexuality, a streetwear aesthetic) that are ideologically associated with a particular type of gendered, classed, and racialized identity. Concluding, I reflect on the status of the roadman persona with reference to contemporary patterns of language variation in the UK. (Multicultural London English, personae, digital culture, TikTok, stylisation, performance)*

The multi/translingual turn in sociolinguistics has highlighted a number of ideological entanglements of foundational concepts, most significantly the way that the notion of ‘named languages’ as bordered entities is intertwined with ideologies of nation and race. In this article, I consider what the conceptual place for linguistic borders is within a ‘trans’ framework of language and propose a focus on bordering, social actions in which indexical meanings at different scales are mobilized to exert control over discursive space by erecting boundaries within or around it. I draw on data from a Facebook group for non-local teachers of English in Thailand, examining how bordering served interests of hegemonic power when linguistic borders were policed with reference to ideologies of nation, as well as how it enabled counter-hegemonic resistance when borders were erected to separate teachers of colour from the intense discursive struggle in the group. (Translanguaging, linguistic borders, bordering, code-switching, scale, resistance, discursive agency)*

This article explores how modes of listening and ideologies of democratic action are intertwined, through the example of a multicultural neighborhood in Oslo, Norway. While much work on language and democracy focuses on speakers, this article instead interrogates how a government listens to citizens, and how different conceptualizations of what listening is index different understandings of democratic action. While the Oslo municipality sees listening as a form of legitimation for governmental policymaking, local residents try to create a more open form of listening, which they see to be a better way of addressing the needs of a more diverse citizenry. Based on ethnographic fieldwork with municipal employees, neighborhood organizations, and residents, the analysis focuses on the participation frameworks and interactional genres that my interlocutors take to be instances of democratic listening, and how listening practices are intertwined with imaginations of a more inclusive future. (Listening, democracy, participatory politics, Norway)*