Hostname: page-component-78c5997874-94fs2 Total loading time: 0 Render date: 2024-11-08T20:27:57.030Z Has data issue: false hasContentIssue false
  • English
  • Français

Richard J. Watts & Franz Andres Morrissey, Language, the singer and the song: The sociolinguistics of folk performance. Cambridge: Cambridge University Press, 2019. Pp. xviii, 372. Hb. £95.

Review products

Richard J. Watts & Franz Andres Morrissey, Language, the singer and the song: The sociolinguistics of folk performance. Cambridge: Cambridge University Press, 2019. Pp. xviii, 372. Hb. £95.

Published online by Cambridge University Press:  14 May 2021

Andy Gibson
Andy Gibson*
Affiliation:
Centre for Language Sciences Macquarie UniversityNorth Ryde, NSW2109, [email protected]
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Review
Information
Language in Society , Volume 50 , Issue 3 , June 2021 , pp. 475 - 479
Check for updates
Copyright
Copyright © The Author(s), 2021. Published by Cambridge University Press

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

REFERENCES

Andres Morrissey, Franz (2008). Liverpool to Louisiana in one lyrical line: Style choice in British rock, pop and folk singing. In Locher, Miriam A., & Strässler, Jürg (eds.), Standards and norms in the English language, 195–218. Berlin: Mouton de Gruyter.Google Scholar
Bauman, Richard, & Briggs, Charles L. (1990). Poetics and performance as critical perspectives on language and social life. Annual Review of Anthropology 19:59–88.10.1146/annurev.an.19.100190.000423CrossRefGoogle Scholar
Beal, Joan C. (2009). ‘You're not from New York City, you're from Rotherham’: Dialect and identity in British indie music. Journal of English Linguistics 37(3):223–40.10.1177/0075424209340014CrossRefGoogle Scholar
Bell, Allan (1984). Language style as audience design. Language in Society 13(2):145–204.10.1017/S004740450001037XCrossRefGoogle Scholar
Bell, Allan, & Gibson, Andy (2011). Staging language: An introduction to the sociolinguistics of performance. Journal of Sociolinguistics 15(5):555–72. Online: https://doi.org/10.1111/j.1467-9841.2011.00517.xCrossRefGoogle Scholar
Coupland, Nikolas (2007). Style: Language variation and identity. Cambridge: Cambridge University Press.10.1017/CBO9780511755064CrossRefGoogle Scholar
Coupland, Nikolas (2011). Voice, place and genre in popular song performance. Journal of Sociolinguistics 15(5):573–602. Online: https://doi.org/10.1111/j.1467-9841.2011.00514.xCrossRefGoogle Scholar
Gamble, Clive (2012). When the words dry up: Music and material metaphors half a million years ago. In Nicholas Bannan (ed.), Music, language, and human evolution, 81–106. Oxford: Oxford University Press.10.1093/acprof:osobl/9780199227341.003.0004CrossRefGoogle Scholar
Gibson, Andy (2011). Flight of the Conchords: Recontextualizing the voices of popular culture. Journal of Sociolinguistics 15(5):603–26. Online: https://doi.org/10.1111/j.1467-9841.2011.00515.xCrossRefGoogle Scholar
Gibson, Andy, & Bell, Allan (2012). Popular music singing as referee design. In Hernández-Campoy, Juan Manuel, & Cutillas-Espinosa, Juan Antonio (eds.), Style-shifting in public: New perspectives on stylistic variation, 139–64. Amsterdam: John Benjamins.10.1075/silv.9.08gibCrossRefGoogle Scholar
Hymes, Dell (1981). ‘In vain I tried to tell you’: Essays in Native American ethnopoetics. Philadelphia: University of Pennsylvania Press.10.9783/9781512802917CrossRefGoogle Scholar
Mithen, Steven (2005). The singing neanderthals: The origins of music, language, mind, and body. London: Weidenfeld and Nicolson.Google Scholar
Simpson, Paul (1999). Language, culture and identity: With (another) look at accents in pop and rock singing. Multilingua 18(4):343–67.10.1515/mult.1999.18.4.343CrossRefGoogle Scholar
Trudgill, Peter (1983). On dialect: Social and geographical perspectives. Oxford: Blackwell.Google Scholar
Turner, Victor (1987). The anthropology of performance. New York: PAJ Publications.Google Scholar