Hostname: page-component-78c5997874-lj6df Total loading time: 0 Render date: 2024-11-18T07:20:47.207Z Has data issue: false hasContentIssue false

Sweet voice: The role of voice quality in a Japanese feminine style

Published online by Cambridge University Press:  26 January 2015

Rebecca L. Starr*
Affiliation:
Department of English Language and Literature, Faculty of Arts and Social Sciences, National University of Singapore Blk AS5, 7 Arts Link, Singapore [email protected]

Abstract

‘Sweet voice’, a distinctive Japanese vocal style, illustrates the role played by voice quality as a marker of authenticity in the construction of linguistic styles. The acoustic properties and sociopragmatic functions of sweet voice, as performed by professional voice actresses, are analyzed using data from anime programs, paraphernalia, and fan discourse. Sweet voice is shown to be connected to a traditional notion of Japanese femininity, and licenses the positive use of grammatical features of Japanese Women's Language. The mature, traditional image conveyed by sweet voice contrasts with the youthful cuteness of burikko and related vocal styles, illustrating that multiple notions of femininity operate within Japanese popular culture. The interplay of voice quality and grammatical features suggests that perceptions of conscious control at different levels of language play a crucial role in social meaning. (Voice quality, Japanese, language and gender, style, authenticity)*

Type
Articles
Copyright
Copyright © Cambridge University Press 2015 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

REFERENCES

2channel (2013). 皆口裕子(46) 井上喜久子(17 + 31) 林原めぐみ(46) [‘Minaguchi Yuko (46), Inoue Kikuko (17 + 31), Megumi Hayashibara(46)’]. Online: http://www.logchannel.com/bbs/ogame/1368626634/; accessed May 26, 2014.Google Scholar
Balasubramanium, Radish Kumar; Bhat, Jayashree S.; Srivastava, Manav; & Eldose, Aimy (2012). Cepstral analysis of sexually appealing voice. Journal of Voice 26(4):412–15.CrossRefGoogle ScholarPubMed
Bishop, Jason, & Keating, Patricia (2012). Perception of pitch location within a speaker's range: Fundamental frequency, voice quality, and speaker sex. Journal of the Acoustical Society of America 132(2):1100–12.CrossRefGoogle ScholarPubMed
Björkner, Eva (2006). Why so different? Aspects of voice characteristics in operatic and musical-theatre singing. Stockholm: KTH School of Computer Science and Communication dissertation.Google Scholar
Boersma, Paul, & Weenink, David (2012). Praat: Doing phonetics by computer. [Computer program] Version 5.3.14 (28 April 2012).Google Scholar
Brinca, Lilia F.; Batista, Ana Paula; Tavares, Ana Ines; Goncalves, Ilidio; & Moreno, Maria L. (2014). Use of cepstral analyses for differentiating normal from dysphonic voices: A comparative study of connected speech versus sustained vowel in European Portuguese female speakers. Journal of Voice 28(3):282–86.Google Scholar
Bryce, Mio; Barber, Christie; Kelly, James; Kunwar, Siris; & Plumb, Amy (2010). Manga and anime: Fluidity and hybridity in global imagery. Electronic Journal of Contemporary Japanese Studies. Article 1.Google Scholar
Bucholtz, Mary (2003). Sociolinguistic nostalgia and the authentication of identity. Journal of Sociolinguistics 7(3):398416.CrossRefGoogle Scholar
Bullock, Ben (ed.) (1994). What Is Yamato Nadeshiko? Online: http://www.sljfaq.org/afaq/yamatonadeshiko.html; accessed August 1, 2008.Google Scholar
Campbell, Nick, & Mokhtari, Parham (2003). Voice quality: The 4th prosodic dimension. Proceedings of the 15th International Congress of Phonetic Sciences, 2417–20.Google Scholar
CC. 2002. Seiyuu directory. Online: http://www.geocities.com/seiyuu_directory/kikuko.html; accessed August 15, 2008.Google Scholar
Clammer, John (1995). Consuming bodies: Constructing and representing the female body in contemporary Japanese print media. In Skov, & Moeran, 1995a, 197–219.Google Scholar
Cryar, Morgan (2014). Head voice and falsetto. Become a singing master. Online: http://www.become-a-singing-master.com/head-voice-and-falsetto.html; accessed June 1, 2014.Google Scholar
Dark Mirage (2008). Zetai Ryouiki. Online: http://tvtropes.org/pmwiki/pmwiki.php/Main/ZettaiRyouiki; accessed August 15, 2008.Google Scholar
de Krom, Guus (1993). A cepstrum-based technique for determining a harmonic-to-noise ratio in speech signals. Journal of Speech and Hearing Research 36:254–66.CrossRefGoogle Scholar
Enyo, Yumiko (2005). Gender performance and intonation in a Japanese sentence-final particle yo ne.Paper presented at NWAV 2005, New York.Google Scholar
Esling, John H. (2012). Voice quality. In Chappele, Carole A. (ed.), The encyclopedia of applied linguistics. Blackwell. doi: 10.1002/9781405198431.wbeal1271.Google Scholar
Gagné, Isaac (2008). Urban princesses: Performance and women's language in Japan's gothic/lolita subculture. Journal of Linguistic Anthropology 18(1):130–50.CrossRefGoogle Scholar
Garrett, Rachel (2013). Cepstral- and spectral-based acoustic measures of normal voices. Theses and Dissertations. University of Wisconsin-Milwaukee. Paper 217.Google Scholar
Gordon, Matthew, & Ladefoged, Peter (2001). Phonation types: A cross-linguistic overview. Journal of Phonetics 29:383406.Google Scholar
Haikyou (2008). Ouhara Sayaka Profile. Online: http://haikyo.or.jp/PROFILE/woman/11570.html; accessed September 1, 2008.Google Scholar
Hearn, Lafcadio (1905). Japan: An attempt at interpretation. New York: Macmillan.Google Scholar
Heman-Ackah, Yolanda D.; Heuer, Reinhardt J.; Michael, Deirdre D.; Ostrowski, Rosemary; Horman, Michelle; Baroody, Margaret; Hillenbrand, James; & Sataloff, Robert T. (2003). Cepstral Peak Prominence: A more reliable measure of dysphonia. Annals of Otology, Rhinology and Laryngology 112(4):324–33.Google Scholar
Hillenbrand, James; Cleveland;, Ronald & Erickson, Robert (1994). Acoustic correlates of breathy vocal quality. Journal of Speech and Hearing Research 37:769–78.CrossRefGoogle ScholarPubMed
Hirano, Minoru; Vennard, William; & Ohala, John (1970). Regulation of register, pitch, and intensity of voice: An electromographic investigation of intrinsic laryngeal muscles. Folia Phoniatrica 22:120.CrossRefGoogle Scholar
Honorof, Douglas N., & Whalen, D. H. (2004). Perception of pitch location within a speaker's F0 range. Journal of the Acoustical Society of America 117(4):2193–200.Google Scholar
Hu, Tze-Yue G. (2010). Frames of anime: Culture and image-building. Hong Kong: Hong Kong University Press.Google Scholar
Inoue, Miyako (2006). Vicarious language: Gender and linguistic modernity in Japan. Berkeley: University of California Press.Google Scholar
Iriyama, Sho (2011). Comment on 水樹奈々 、 福圓美里 、 こやまきみこ 、 井上喜久子 釘宮理 恵 [‘Nana Mizuki, Misato Fukuen, Kimiko Koyama, Inoue Kikuko, Kugimiya Rie’]. Online: http://www.youtube.com/watch?v=vcpVGk_f5eM; accessed May 26, 2014.Google Scholar
Iseli, Markus; Shue, Yen-Liang; & Alwan, Abeer (2007). Age, sex, and vowel dependencies of acoustic measures related to the voice source. The Journal of the Acoustical Society of America 121(4):2283–95.Google Scholar
Ishi, Carlos Toshinori (2004). A new acoustic measure for aspiration noise detection. Proceedings of INTERSPEECH 2004, 941–94.CrossRefGoogle Scholar
Ito, Mika (2003). The contribution of voice quality to politeness in Japanese. Proceedings of VOQUAL ‘03, Geneva, 157–62.Google Scholar
Ito, Mika (2004). Politeness and voice quality: The alternative method to measure aspiration noise. Proceedings of Speech Prosody 2004, 213–16.CrossRefGoogle Scholar
Jahn, Anthony (2011). Talk better, sing better. Voice Council Magazine, August 19, 2011. Online: http://voicecouncil.com/talk-better-sing-better; accessed June 1, 2014.Google Scholar
Johnson, Daniel Ezra (2009). Getting off the GoldVarb standard: Introducing Rbrul for mixed-effects variable rule analysis. Language and Linguistic Compass 3(1):359–83.Google Scholar
Katyosukatyosu, (2011). Comment on 水樹奈々 、 福圓美里 、 こやまきみこ 、 井上喜久子 釘宮 理恵 [‘Nana Mizuki, Misato Fukuen, Kimiko Koyama, Inoue Kikuko, Kugimiya Rie’]. Online: http://www.youtube.com/watch?v=vcpVGk_f5eM; accessed May 26, 2014.Google Scholar
Keating, Patricia A. (2014). Acoustic measures of falsetto voice. Paper presented at the annual meeting of the Acoustical Society of America. Providence, RI.CrossRefGoogle Scholar
Kenpro Groups (2008). School duo. Online: http://www.school-duo.com/; accessed September 1, 2008.Google Scholar
Kinsella, Sharon (1995). Cuties in Japan. In Skov, & Moeran, 1995a, 220–54.Google Scholar
Kong, Eun Jong; Kiyoko, Yoneyama; & Beckman, Mary (2014). Effects of a sound change in progress on gender-marking cues in Japanese. Poster presented at LabPhon 2014. Tokyo, Japan.Google Scholar
Kreiman, Jody; Shue, Yen-Liang; Chen, Gang; Iseli, Markus; Gerratt, Bruce R.; Neubauer, Juergen; & Alwan, Abeer (2012). Variability in the relationships among voice quality, harmonic amplitudes, open quotient, and glottal area waveform shape in sustained phonation. The Journal of the Acoustical Society of America 132(4):2625–32.Google Scholar
Kristof, Nicholas (1995). Japan's feminine falsetto falls right out of favor. New York Times, December 13 1995.Google Scholar
Laver, John (1980). The phonetic description of voice quality. Cambridge: Cambridge University Press.Google Scholar
Leino, T. (1993). Long-term average spectrum study on speaking voice quality in male actors. Proceedings of the Stockholm Music Acoustics Conference, 206–10. Stockholm, Sweden.Google Scholar
Lin, Emily; Jayakody;, Dona & Looi, Valerie (2009). The singing power ratio and timbre-related acoustic analysis of singing vowels and musical instruments. Voice Foundation's 38th Annual Symposium: Care of the Professional Voice, 3–7 Jun 2009, Philadelphia, PA.Google Scholar
Manbow (2008). Inoue Kikuko's official site. Online: http://www.manbow.com; accessed August 1, 2008.Google Scholar
Maryn, Youri; Roy, Nelson; de Bodt, Marc; van Cauwenberge, Paul; & Corthals, Paul (2009). Acoustic measurement of overall voice quality: A meta-analysis. Journal of the Acoustical Society of America 126(5):2619–34.Google Scholar
Masataka, Nobuo (1992). Pitch characteristics of Japanese maternal speech to infants. Journal of Child Language 19(2):213–23.Google Scholar
Master, Suely; de Biase, Noemi; Brasilia, Maria Chiari; & Laukkanen, Anne-Maria (2008). Acoustic and perceptual analyses of Brazilian male actors' and nonactors' voices: Long-term average spectrum and the ‘actor's formant’. Journal of Voice 22(2):146–54.CrossRefGoogle ScholarPubMed
Master, Suely; de Biase, Noemi; & Madureira, Sandra (2012). What about the ‘actor's formant’ in actresses' voices? Journal of Voice 26(3):117–22.Google Scholar
Miller, Laura (2004). You are doing burikko! Censoring/scrutinising artificers of cute femininity in Japanese. In Okamoto, Shikego & Smith, Janet Shibamoto (eds.), Japanese language, gender, and ideology: Cultural models and real people, 148–65. New York: Oxford University Press.CrossRefGoogle Scholar
Miller, Richard (2000). Training soprano voices. New York: Oxford.CrossRefGoogle Scholar
Ohara, Yumiko (1999). Performing gender through voice pitch: A cross-cultural analysis of Japanese and American English. In Pasero, Ursula & Braun, Friedrike (eds.), Wahrnehmung und Herstellung von Geschlecht [‘Perceiving and performing gender’], 105–66. Wiesbaden: VS Verlag für Sozialwissenschaften.Google Scholar
Ohara, Yumiko (2004). Prosody and gender in workplace interaction. In Okamoto, Shikego & Smith, Janet Shibamoto (eds.), Japanese language, gender, and ideology: Cultural models and real people, 222–40. New York: Oxford University Press.Google Scholar
Okamoto, Shikego, & Smith, Janet Shibamoto (2004). Introduction. In Okamoto, Shikego & Smith, Janet Shibamoto (eds.), Japanese language, gender, and ideology: Cultural models and real people, 320. New York: Oxford University Press.Google Scholar
Okamoto, Shikego, & Smith, Janet Shibamoto (2008). Constructing linguistic femininity in contemporary Japan: Scholarly and popular representations. Gender and Language 2(1):87112.Google Scholar
Otsuma, Kotaka (1929). 日常常識儀礼作法 [‘Etiquette and manners as daily knowledge’]. Tokyo: Okamura Shoten.Google Scholar
Podesva, Robert (2007). Phonation type as a stylistic variable: The use of falsetto in constructing a persona. Journal of Sociolinguistics 14(4):478504.Google Scholar
Sadanobu, Toshiyuki (2004). A natural history of Japanese pressed voice. Journal of the Phonetic Society of Japan 8(1):2944.Google Scholar
Samlan, Robin A., & Story, Brad H. (2011). Relation of structural and vibratory kinematics of the vocal folds to two acoustic measures of breathy voice based on computational modeling. Journal of Speech, Language, and Hearing Research 54:1267–83.Google Scholar
Seiyuu Directory (2002). Inoue Kikuko. Online: http://www.geocities.com/seiyuu_directory/kikuko.html; accessed August 1, 2008.Google Scholar
Shibamoto Smith, Janet (2003). Gendered structures in Japanese. In Hellinger, Marlis & Bußmann, Hadumod (eds.), Gender across languages: The linguistic representation of women and men, 201–26. Philadelphia, PA: John Benjamins.Google Scholar
Shingo (2005). A discourse on moe, part I: Introduction and a moetic taxonomy. Heisei Democracy. Online: http://heiseidemocracy.com/2005/02/28/62/; accessed October 1, 2006.Google Scholar
Shue, Yen-Liang (2009). Voicesauce: A program for voice analysis. Online: http://www.seas.ucla.edu/spapl/voicesauce/.Google Scholar
Shue, Yen-Liang; Chen, Gang; & Alwan, Abeer (2010). On the interdependencies between voice quality, glottal gaps, and voice-source related acoustic measures. Proceedings of INTERSPEECH 2010, 34–37.Google Scholar
Skov, Lise, & Moeran, Brian (1995a). Women, media, and consumption in Japan. Honolulu: University of Hawai'i Press.Google Scholar
Skov, Lise, & Moeran, Brian (1995b). Introduction: Hiding in the light: from Oshin to Yoshimoto Banana. In Skov, & Moeran, 1995a, 1–74.Google Scholar
Stevens, Kenneth, & Hanson, Helen M. (1995). Classification of glottal vibration from acoustic measurements. In Fujimura, Osamu & Hirano, Minoru (eds.), Vocal fold physiology: Voice quality control, 147–70. San Diego, CA: Singular Publishing Group.Google Scholar
Sugihara, Yoko, & Katsurada, Emiko (1999). Masculinity and femininity in Japanese culture: A pilot study. Sex Roles 40(7–8):635–46.Google Scholar
Sundberg, Johan (1987). The science of the singing voice. Dekalb: Northern Illinois University Press.Google Scholar
Sundberg, Johan (2001). Level and centre frequency of the singer's formant. Journal of Voice 15(2):176–86.Google Scholar
Sundberg, Johan, & Askenfelt, Anders (1983). Larynx height and voice source: A relationship? In Bless, Diane M. & Abbs, James H. (eds.), Vocal fold physiology: Contemporary research and clinical issues, 307–16. San Diego, CA: Collegehill.Google Scholar
Superflavor (2007). Superflavor LiveJournal Jan 20, 2007. Online: http://superflavor.livejournal.com/; accessed August 1, 2008.Google Scholar
Swerts, Marc, & Veldhuis, Raymond (2001). The effect of speech melody on voice quality. Speech Communication 33(4):297303.Google Scholar
Tabuchi, Hiroko (2013). Japan's top voice: High, polite, and on the phone. New York Times, December 14, 2013. A1.Google Scholar
Takahara, Kumiko (1991). Female speech patterns in Japanese. International Journal of the Sociology of Language 92:6185.Google Scholar
Teshigawara, Mihoko (2003). Voices in Japanese animation: A phonetic study of vocal stereotypes of heroes and villains in Japanese culture. Victoria: University of Victoria dissertation.Google Scholar
Tronman63 (2007). Kikuko Inoue 17yo & Ami Koshimizu short clip. Online: http://www.youtube.com/watch?v=XssN_nFzLRs; accessed August 15, 2008.Google Scholar
TV.com (2008). Kikuko Inoue bio. Online: http://www.tv.com/kikuko- inoue/person/116271/biography.html; accessed August 15, 2008.Google Scholar
Warhurst, Samantha; McCabe, Patricia; Yiu, Edwin; Heard, Robert; & Madill, Catherine (2013). Acoustic characteristics of male commercial and public radio broadcast voices. Journal of Voice 27(5):655.e1655.e7.Google Scholar
Washi, Rumi (2004). ‘Japanese female speech’ and language policy in the World War II era. In Okamoto, Shikego & Smith, Janet Shibamoto (eds.), Japanese language, gender, and ideology: Cultural models and real people, 7691. New York: Oxford University Press.Google Scholar