¹ Dahlhaus, Carl, “Nationalism and Music,” in Between Romanticism and Modernism, trans. Whittall, Mary (Berkeley: University of California Press, 1980), 89Google Scholar; Richard Taruskin, “Nationalism,” in Grove Music Online. Oxford Music Online, http://www.oxfordmusiconline.com/subscriber/article/grove/music/50846.

² Casey, Edward S., Remembering: A Phenomenological Study (Bloomington: Indiana University Press, 1987), 181–215Google Scholar.

³ See, for example, Sisman, Elaine, “Memory and Invention at the Threshold of Beethoven's Late Style,” in Beethoven and His World, ed. Burnham, Scott and Steinberg, Michael P. (Princeton: Princeton University Press, 2000), 51–87Google Scholar.

⁴ Stokes, Martin, ed., Ethnicity, Identity, and Music: The Musical Construction of Place (Oxford: Berg, 1994)Google Scholar.

⁵ Tomlinson, Gary, The Singing of the New World: Indigenous Voice in the Era of European Contact (Cambridge: Cambridge University Press, 2007), 7Google Scholar.