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Published online by Cambridge University Press: 30 September 2014
1 Champlin, Charles, “Sound and Fury over Film Music,” Los Angeles Times, 12 March 1967, repr. in The Routledge Film Music Sourcebook, ed. Wierzbicki, James, Platte, Nathan, and Roust, Colin (New York: Routledge, 2012), 190Google Scholar.
2 The film was released at a time when plastic surgery was first becoming prominent in American culture.
3 Similarly, the final scene of Apes was also played without music, and even eschews end-credit music. Goldsmith and Schaffner decided to have the sound of crashing waves as its only accompaniment.
4 Champlin, “Sound and Fury,” 190.