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Published online by Cambridge University Press: 31 October 2013
1 McClary, Susan, Conventional Wisdom: The Content of Musical Form (Berkeley: University of California Press, 2000), 139–45CrossRefGoogle Scholar.
2 Lipman, Samuel, The House of Music (Boston: David R. Godine, 1984), 47–48Google Scholar; Fink, Robert, Repeating Ourselves: American Minimal Music as Cultural Practice (Berkeley: University of California Press, 2005)Google Scholar.
3 For instance, in 2006, Ars Nova Copenhagen released a largely vocal performance, in which Riley supplied what he called “sacred syllables” for the singers. Terry Riley, In C, Ars Nova Copenhagen, Percurama Percussion Ensemble, Paul Hillier, conductor, Da Capo 8.226049.
4 Wlodarski, Amy, “The Testimonial Aesthetics of Different Trains,” Journal of the American Musicological Society 63/1 (2010): 99–141CrossRefGoogle Scholar.