Hostname: page-component-745bb68f8f-d8cs5 Total loading time: 0 Render date: 2025-01-30T17:31:49.026Z Has data issue: false hasContentIssue false
  • English
  • Français

Noel Lester, Piano Portraits from 19th-Century America. Centaur 2250, 1995./Maria Ferrente and Lincoln Mayorga, Best Kept Secrets: A Treasury of Passionate American Song Heard in 19th Century American Salons and Concert Venues. Massachusetts: Maria Ferrante, 2007.

Published online by Cambridge University Press:  10 June 2014

Candace Bailey
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Recording Reviews
Information
Journal of the Society for American Music , Volume 8 , Issue 2: Musical Women in Nineteenth-Century America , May 2014 , pp. 270 - 273
Copyright
Copyright © The Society for American Music 2014 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Bailey, Candace, Music and the Southern Belle: From Accomplished Lady to Confederate Composer (Carbondale: Southern Illinois University Press, 2010), 102–7Google Scholar.

2 Tick, Judith, “Passed Away is the Piano Girl: Changes in American Music Life, 1870–1900,” in Women Making Music: The Western Art Tradition, 1150–1950, ed. Bowers, Jane and Tick, Judith (Urbana: University of Illinois Press, 1986), 327Google Scholar.