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Marc Ribot: La Corde perdue/The Lost String. Anaïs Prosaïc, director. La Huit, 2003.

Published online by Cambridge University Press:  15 October 2009

Tamar Barzel
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Type
Multimedia Reviews
Information
Journal of the Society for American Music , Volume 3 , Issue 4 , November 2009 , pp. 519 - 522
Copyright
Copyright © The Society for American Music 2009

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References

1 Arcana: Musicians on Music, ed. John Zorn (New York: Hips Road, 2000) includes essays by both Ribot and Coleman.

2 Ribot's politically oriented writings include “London's Burning: Joe Strummer's Last Call and What NYC Musicians Could Learn,” Squid's Ear Op-Ed [2003], <http://www.squidsear.com/cgi-bin/news/newsView.cgi?newsID=97>; “Musical Activism: An Open Call,” Squid's Ear Op-Ed [2005], <http://www.squidsear.com/cgi-bin/news/newsView.cgi?newsID=347>; and “The Care and Feeding of a Musical Margin,” All about Jazz (5 June 2007), <http://www.allaboutjazz.com/php/article.php?id=25889>. Substantial interviews in which Ribot addresses political issues include David Krasnow, “Marc Ribot,” Bomb 66 (Winter 1999), <http://www.bombsite.com/issues/66/articles/2210>; [n.a.], “Marc Ribot: Using His Voice,” JamBase (9 February 2004), <http://www.jambase.com/Articles/4593/MARC-RIBOT-USING-HIS-VOICE>; Paul Olson, “Marc Ribot: That's the Way I View It from New York,” All about Jazz (27 March 2006), <http://www.allaboutjazz.com/php/article.php?id=21084>; and Jesse Jarnow, “More a Semiotician than a Guitarist: Marc Ribot Goes to Jail,” JamBands (11 May 2007), <http://www.jambands.com/Features/content_2007_05_11.00.phtml>. All Web sites cited above were accessible as of 17 June 2009.