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Published online by Cambridge University Press: 23 May 2013
1 Von Eschen, Penny, Satchmo Blows up the World: Jazz Ambassadors Play the Cold War (Cambridge, MA: Harvard University Press, 2004)Google Scholar; and Monson, Ingrid, Freedom Sounds: Civil Rights Call Out to Jazz and Africa (Oxford: Oxford University Press, 2007)CrossRefGoogle Scholar.
2 Fosler-Lussier, Danielle, “Cultural Diplomacy as Cultural Globalization: The University of Michigan Jazz Band in Latin America,” Journal of the Society for American Music 4/1 (February 2010): 59–93CrossRefGoogle Scholar.
3 See, for example, Ansari, Emily Abrams, “Aaron Copland and the Politics of Cultural Diplomacy,” Journal of the Society for American Music 5/3 (August 2011): 335–64CrossRefGoogle Scholar; Gienow-Hecht, Jessica, Sound Diplomacy: Music and Emotions in German-American Relations Since 1850 (Chicago: University of Chicago Press, 2009)CrossRefGoogle Scholar; and Jennifer Campbell, “Shaping Solidarity: Music, Diplomacy, and Inter-American Relations, 1936–1946” (Ph.D. diss., University of Connecticut, 2010).
4 See for example Nadel, Alan, Containment Culture: American Narratives, Postmodernism, and the Atomic Age (Durham, NC: Duke University Press, 1995)CrossRefGoogle Scholar.