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James Tenney: Selected Works 1961–1969. New World Records CD 80570.

Published online by Cambridge University Press:  19 October 2010

Michael Winter
Michael Winter*
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[email protected]
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Type
Recording Reviews
Information
Journal of the Society for American Music , Volume 4 , Special Issue 4: Irish Music in the United States , November 2010 , pp. 531 - 533
Copyright
Copyright © The Society for American Music 2010

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References

1 Tenney, James, “Gayle Young Interviews James Tenney,” Only Paper Today 5/5 (1978): 4Google Scholar.

2 James Tenney's “In Retrospect,” notes to the Steve Reich Foundation concerts of Tenney's music in New York City, December 1978.

3 Oswald, John, “Plunderphonics, or Audio Piracy as a Composition Prerogative,” paper presented at the Wired Society Electro-Acoustic Conference, Toronto, Canada, 1985, published in MusicWorks 34 (1986): 5–8Google Scholar. Available at http://www.plunderphonics.com/xhtml/xplunder.html, accessed 30 September 2009.

4 Tenney documented his experience at Bell Labs in Tenney, James, “Computer Music Experiences, 1961–1964,” Electronic Music Reports 1 (1969): 23–60Google Scholar. Available at http://www.plainsound.org/pdfs/computermusic.pdf, accessed 30 September 2009.

5 Tenney, James, META + HODOS and META Meta + Hodos, 2nd ed. (Hanover, N.H.: Frog Peak Music, 1988 [1964])Google Scholar.

6 Larry Polansky, liner notes to James Tenney: Selected Works 1961–1969 (New World Records CD 80570, 2003). Available at http://www.newworldrecords.org/linernotes/80570.pdf, accessed 30 September 2009.

7 Larry Polansky. “The Early Works of James Tenney,” Soundings 13: The Music of James Tenney, ed. Peter Garland (1984): 114–297. Available at http://eamusic.dartmouth.edu/~larry/published_articles/tenney_monograph_soundings/index.html, accessed 30 September 2009.

8 James Tenney: Selected Works 1961–1969 (Artifact ART 1007/Frog Peak FP 001, 1992).

9 META + HODOS: 8.