¹ Association for Cultural Equity, http://www.culturalequity.org/ace/ce_ace_index.php.

² Lomax, Alan, Folk Song Style and Culture: A Staff Report on Cantometrics (Washington, D.C.: American Association for the Advancement of Science, 1968)Google Scholar; Lomax, Alan, Cantometrics: An Approach to the Anthropology of Music (Berkeley: University of California, Extension Media Center, 1976)Google Scholar; Lomax, Alan, “The Evolutionary Taxonomy of a Culture,” Science 177, no. 4045 (1972): 228–239; Bruno Nettl, The Study of Ethnomusicology, 3rd ed. (Urbana: University of Illinois Press, 2015), 77Google Scholar; and Bohlman, Philip V., The Study of Folk Music in the Modern World (Bloomington: University of Indiana Press, 1988), 42.Google Scholar

³ The Global Jukebox: Methods and Outcomes, http://www.culturalequity.org/rc/ce_rc_psr_global_jukebox.php#methods; Middleton, Richard, Studying Popular Music (Milton Keynes: Open University Press, 1990), 150Google Scholar.

⁴ Todd Titon, Jeff, “From the Record Review Editor: Cantometrics,” Journal of American Folklore, 95, no. 377 (July–September 1982): 371Google Scholar.

⁵ For more on Lomax's concepts of cantometrics and cultural equity as a worldview, see Filene, Benjamin, Romancing the Folk: Public Memory & American Roots Music (Chapel Hill: University of North Carolina Press, 2000), 176Google Scholar; and Alan Lomax: Selected Writings, 1934–1997, ed. Ronald Cohen (New York: Routledge, 2003), 230–312.