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Published online by Cambridge University Press: 04 July 2022
1 For a deeper overview of this game and a review of the last entry in the Guitar Hero series, see Gibbons, William, “Guitar Hero Live (FreeStyle Games, 2015),” Journal of the Society for American Music 10, no. 3 (August 2016): 377–79, https://doi.org/10.1017/S1752196316000286CrossRefGoogle Scholar.
2 On video game music as enabled or enacted by the player in various genres (including Guitar Hero), see Reale, Steven, “Transcribing Musical Worlds; or, Is L.A. Noire a Music Game?” in Music in Video Games: Studying Play (New York: Routledge, 2014), 77–103Google Scholar.