Hostname: page-component-586b7cd67f-vdxz6 Total loading time: 0 Render date: 2024-11-24T17:57:11.428Z Has data issue: false hasContentIssue false

Digital Sound Studies. Edited by Mary Caton Lingold, Darren Muellwer, and Whitney Trettien. Durham, NC: Duke University Press, 2018.

Published online by Cambridge University Press:  19 November 2020

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Review
Copyright
Copyright © The Society for American Music 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 This includes such jazz artists like Thelonious Monk, Sonny Rollins, and Charles Mingus. W. Eugene Smith was a former Time photographer who visually and canonically recorded jazz recordings.

2 San Francisco Museum of Modern Art, “Discussion Questions: Nick Cave's Soundsuit,” https://www.sfmoma.org/read/discussion-questions-nick-cave-soundsuit/.

3 Wood, Peter H., Black Majority: Negros in South Carolina from 1670 through the Stono Rebellion (New York: W. W. Norton, 1975)Google Scholar.

4 Ong, Walter J., Rhetoric, Romance, and Technology; Studies in the Interaction of Expression and Culture (Ithaca, NY: Cornell University Press, 1971)Google Scholar.

6 Stoever, Jennifer Lynn, The Sonic Color Line: Race and the Cultural Politics of Listening (New York: New York University Press, 2016)CrossRefGoogle Scholar.

7 Sterne, Jonathan, The Sound Studies Reader (New York: Routledge, 2012)CrossRefGoogle Scholar.

8 Campt, Tina M., Listening to Images (Durham: Duke University Press, 2017)CrossRefGoogle Scholar.

9 Wilderson, Frank B., , III, Red, White & Black: Cinema and the Structure of U.S. Antagonisms (Durham: Duke University Press, 2010)CrossRefGoogle Scholar; Sharpe, Christina Elizabeth, In the Wake: On Blackness and Being (Durham: Duke University Press, 2016)Google Scholar; and McMillan, Uri, Embodied Avatars: Genealogies of Black Feminist Art and Performance (New York: New York University Press, 2015)CrossRefGoogle Scholar.

10 Digital Cultural Rhetoric Scholars Angela Haas, Laura Gonzalez, and Victor Del Hierro.