Hostname: page-component-78c5997874-g7gxr Total loading time: 0 Render date: 2024-11-05T11:36:01.171Z Has data issue: false hasContentIssue false

Breaking Time's Arrow: Experiment and Expression in the Music of Charles Ives. By Matthew McDonald . Bloomington: Indiana University Press, 2014.

Published online by Cambridge University Press:  30 August 2016

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Review
Copyright
Copyright © The Society for American Music 2016 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 For example, in his essay about Henry David Thoreau, Ives recognizes and discusses the importance of the concept of time in Walden: “Wherever the place—Time there must be.” See Ives, Charles, “Thoreau,” in Essays Before A Sonata: The Majority and Other Writings, ed. Boatwright, Howard (New York: W. W. Norton, 1962), 55 Google Scholar.

2 Key publications about time and temporality in Ives's music include Morgan, Robert P., “Spatial Form in Ives,” in An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, ed. Hitchcock, H. Wiley and Perlis, Vivian (Urbana: University of Illinois Press, 1977), 145–58Google Scholar; Kramer, Jonathan D., The Time of Music: New Meanings, New Temporalities, New Listening Strategies (New York: Schirmer Books, 1988)Google Scholar; and Kramer, Jonathan D., “Postmodern Concepts of Musical Time,” Indiana Theory Review 17, no. 2 (1996): 2162 Google Scholar. The reviewer's dissertation also deals with these topics in the Holidays Symphony; see Thurmaier, David, “Time and Compositional Process in Charles Ives's Holidays Symphony” (Ph.D. diss., Indiana University, 2006)Google Scholar.

3 For example, no such attribution to Wagner is found in Sinclair's, James B. authoritative Descriptive Catalogue of the Music of Charles Ives (New Haven, CT: Yale University Press, 1999), 447 Google Scholar; or in Henderson, Clayton, The Charles Ives Tunebook (Bloomington: Indiana University Press, 2008)Google Scholar.

4 See McDonald, Matthew, “Silent Narration? Elements of Narrative in Ives's The Unanswered Question ,” 19th-Century Music 27, no. 3 (2004): 263–86CrossRefGoogle Scholar; and Matthew McDonald, “Ives and the Now,” in Music and Narrative since 1900, ed. Klein, Michael L. and Reyland, Nicholas (Bloomington: Indiana University Press, 2013), 285307 Google Scholar.

5 For Ives's explanations of what he calls “substance” and “manner,” see Essays Before a Sonata, 75–82.