Hostname: page-component-78c5997874-8bhkd Total loading time: 0 Render date: 2024-11-06T09:21:02.499Z Has data issue: false hasContentIssue false

Beethoven in America. By Michael Broyles. Bloomington: Indiana University Press, 2011.

Published online by Cambridge University Press:  11 August 2015

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Review
Copyright
Copyright © The Society for American Music 2015 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 The watch has a similar description on its Amazon listing (see “Steinhausen Men's TW523G Beethoven Automatic Skeleton Watch,” Amazon.com, http://www.amazon.com/Steinhausen-TW523G-Beethoven-Automatic-Skeleton/dp/B0019JTL6K). Steinhausen has since released a newer model of this watch, “Beethoven's Second Automatic,” http://www.steinhausenonline.com/product-p/tw1302glgl.htm.

2 See McClary, Susan, Feminine Endings: Music, Gender and Sexuality (Minneapolis: University of Minnesota Press, 1991)Google Scholar; Kramer, Lawrence, “The Harem Threshold: Turkish Music and Greek Love in Beethoven's ‘Ode to Joy,’Nineteenth-Century Music 22/1 (Summer 1998): 7890CrossRefGoogle Scholar.