Hostname: page-component-cd9895bd7-p9bg8 Total loading time: 0 Render date: 2024-12-26T07:23:15.542Z Has data issue: false hasContentIssue false

Teaching Freedom Song as Antiracist Praxis

Published online by Cambridge University Press:  22 December 2021

Stephen Stacks*
Affiliation:
Department of Music, North Carolina Central University, Durham, NC, USA

Extract

In the teaching of history, oversimplification is, perhaps, unavoidable. In certain cases, however, that oversimplification can be deadly. There are some lessons that are too complex, some stories that are too nuanced, to be reduced in such a way. By their contours and particularities, they resist easy digestion. In the spirit of this particularity, my contribution to the colloquy is specific, but hopefully applicable to contexts beyond its specificity: I argue that the US Black Freedom Movement (or civil rights movement) and its music is a story that must be taught in all its complexity, for oversimplifying it does concrete harm to the ongoing struggle against white supremacy in the present. Teaching the US Black Freedom Movement and its music is also vital if we hope to enable our students to be forces of understanding, healing, and justice in the world, and should be an integral component of any undergraduate music curriculum that hopes to be antiracist.

Type
Essay
Copyright
Copyright © The Author(s), 2021. Published by Cambridge University Press on behalf of the Society for American Music

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Boorstin, Daniel and Kelly, Brooks Mather. A History of the United States. Needham, MA: Prentice Hall, 1996.Google Scholar
Crenshaw, K., Gotanda, N., Peller, G., and Kendall, T.. “Introduction.” In Critical Race Theory: The Key Writings that Formed the Movement. New York: New Press, 1995.Google Scholar
Dowd Hall, Jacqueline. “The Long Civil Rights Movement and the Political Uses of the Past.” Journal of American History 91, no. 4 (March 2005): 1233–63.CrossRefGoogle Scholar
Harding, Vincent. “Beyond Amnesia: Martin Luther King, Jr., and the Future of America.” Journal of American History 74, no. 2 (September 1987): 468–76.CrossRefGoogle Scholar
Harding, Vincent. Hope and History: Why We Must Share the Story of the Movement. Maryknoll, NY: Orbis, 2009.Google Scholar
Joseph, Peniel, ed. The Black Power Movement: Rethinking the Civil Rights-Black Power Era. New York: Routledge, 2006.Google Scholar
Kernodle, Tammy. “‘I Wish I Knew How It Would Feel to Be Free’: Nina Simone and the Redefining of the Freedom Song of the 1960s.” Journal of the Society for American Music 2, no. 3 (August 2008): 295317.CrossRefGoogle Scholar
Lipsitz, George. Time Passages: Collective Memory and American Popular Culture. Minneapolis: University of Minnesota Press, 1990.Google Scholar
Matsuda, M. J., Lawrence, C. R., Delgado, R., and Crenshaw, K. W.. Words That Wound: Critical Race Theory, Assaultive Speech, and the First Amendment. Boulder, CO: Westview Press, 1993.Google Scholar
Spencer, Jon Michael. “Freedom Songs of the Civil Rights Movement.” Journal of Black Sacred Music 1, no. 1 (Spring 1987): 116.Google Scholar
Stacks, Stephen. “Headed for the Brink: Freedom-Singing in U.S. Culture After 1968.” PhD diss., University of North Carolina at Chapel Hill, 2019.Google Scholar
Walker, Jenny. “A Media Made Movement: Black Violence and Nonviolence in the Historiography of the Civil Rights Movement.” In Media, Culture, and the Modern African American Freedom Struggle, edited by Ward, Brian, 4166. Gainesville: University Press of Florida, 2001.Google Scholar