Hostname: page-component-78c5997874-8bhkd Total loading time: 0 Render date: 2024-11-06T14:01:22.919Z Has data issue: false hasContentIssue false

“Per noi emigrati”: Nostalgia in the Reception of Puccini's La fanciulla del West in New York City's Italian-Language Newspapers

Published online by Cambridge University Press:  04 June 2019

Abstract

The premiere of Puccini's La fanciulla del West at the Metropolitan Opera in 1910 inspired enthusiastic reactions from the New York audience. However, as demonstrated by Annie J. Randall and Rosalind Gray Davis's 2005 study, Puccini and the Girl: History and Reception of “The Girl of the Golden West,” the critical reception of the work highlighted the Italian composer's inability to measure up to the critics’ preconceived notions about the American West. Among the many perceived oddities of the opera was the character of Jake Wallace, a “wandering camp minstrel,” who appeared in an unconventional form of blackface and sang an aria based on a transcription of a Native American song. This essay reexamines the early American reception of La fanciulla by analyzing the coverage of the opera in Italian-language newspapers published in New York. Articles in these periodicals suggest that Jake's nostalgic song (canto nostalgico) and the sentiment of homesickness that it projected played a central role in the positive reception of the work among their readers. Acknowledging such a reaction to the opera reminds us of the difficulty of ascribing a uniformly “American” reception to any work. It also uncovers an unexpected way in which Puccini and his collaborators promoted the opera to a particular segment of the American society.

Type
Research Article
Copyright
Copyright © The Society for American Music 2019 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Footnotes

I would like to thank Naomi André for her guidance and encouragement in putting together the cluster of articles which this is a part of, the anonymous reviewer for valuable comments, and Megan Biondi for her assistance in translating the Italian articles. I would also like to acknowledge the Office of the Provost's Internal Grant Programs at the University of South Carolina for providing funding for the research for this publication.

References

Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism. Rev. ed. London: Verso, 1991.Google Scholar
André, Naomi, Bryan, Karen M., and Saylor, Eric. Blackness in Opera. Urbana: University of Illinois Press, 2012.Google Scholar
Atlas, Allan W.Belasco and Puccini: ‘Old Dog Tray’ and the Zuni Indians.” Musical Quarterly 75, no. 3 (1991): 362–98.Google Scholar
Baily, Samuel L. Immigrants in the Lands of Promise: Italians in Buenos Aires and New York City, 1870–1914. Ithaca, NY: Cornell University Press, 1999.Google Scholar
Basini, Laura. “Manon Lescaut and the Myth of America.” Opera Quarterly 24, nos. 1–2 (2008): 6281.Google Scholar
Belasco, David. Six Plays: “Madame Butterfly,” “Du Barry,” “The Darling of the Gods,” “Adrea,” “The Girl of the Golden West,” “The Return of Peter Grimm.” Boston: Little, Brown, 1928.Google Scholar
Belasco, David. The Girl of the Golden West: A Play in Four Acts. New York: Samuel French, 1933.Google Scholar
Blair, John G.Blackface Minstrels and Buffalo Bill's Wild West: Nineteenth-Century Entertainment Forms as Cultural Export.” In European Readings of American Popular Culture, edited by Dean, John and Gabilliet, Jean-Paul. Westport, CT: Greenwood Press, 1996.Google Scholar
Blair, John G.Blackface Minstrels in Cross-Cultural Perspective.” American Studies 28, no. 2 (1990): 5265.Google Scholar
Boym, Svetlana. The Future of Nostalgia. New York: Basic Books, 2001.Google Scholar
Budden, Julian. Puccini: His Life and Works. Oxford: Oxford University Press, 2002.Google Scholar
Ceriani, Davide. “Opera as Social Agent: Fostering Italian Identity at the Metropolitan Opera House during the Early Years of Giulio Gatti-Casazza's Management, 1908–1910.” In Music, Longing, and Belonging: Articulations of the Self and the Other in the Musical Realm, edited by Waligórska, Magdalena, 114–34. Newcastle upon Tyne, UK: Cambridge Scholars Publishing, 2013.Google Scholar
Choate, Mark I. Emigrant Nation: The Making of Italy Abroad. Cambridge, MA: Harvard University Press, 2008.Google Scholar
Civinini, Guelfo, and Zangarini, Carlo. La fanciulla del West: Opera in tre atti (dal dramma di David Belasco). Milan: Ricordi, 1910.Google Scholar
Cockrell, Dale. Demons of Disorder: Early Blackface Minstrels and Their World. Cambridge: Cambridge University Press, 1997.Google Scholar
Durante, Francesco and Viscusi, Robert, eds. Italoamericana: The Literature of the Great Migration, 1880–1943. New York: Fordham University Press, 2014.Google Scholar
Ertz, Matilda Ann Butkas. “Nineteenth-Century Italian Ballet Music before National Unification: Sources, Style, and Context.” PhD diss., University of Oregon, 2010.Google Scholar
Fairtile, Linda B.’Real Americans Mean Much More’: Race, Ethnicity, and Authenticity in Belasco's Girl of the Golden West and Puccini's La fanciulla del West.” Studi pucciniani 4 (2010): 89101.Google Scholar
Farwell, Arthur. “The Music of Puccini's Opera.” Studi pucciniani 4 (2010): 139–40.Google Scholar
Finson, Jon W. The Voices that Are Gone: Themes in Nineteenth-Century American Popular Song. New York: Oxford University Press, 1994.Google Scholar
Girardi, Michele. Puccini: His International Art. Translated by Basini, Laura. Chicago: University of Chicago Press, 2000.Google Scholar
Gossett, Philip. “Some Thoughts on the Use of Autograph Manuscripts in Editing the Works of Verdi and Puccini.” Journal of the American Musicological Society 66, no. 1 (April 1, 2013): 103–28.Google Scholar
Greenwald, Helen M. “Realism on the Opera Stage: Belasco, Puccini, and the California Sunset.” In Opera in Context: Essays in Historical Staging from the Late Renaissance to the Time of Puccini, edited by Radice, Mark A., 279–96. Portland, OR: Amadeus Press, 1998.Google Scholar
Guglielmo, Thomas A.‘No Color Barrier’: Italians, Race, and Power in the United States.” In Are Italians White? How Race Is Made in America, edited by Guglielmo, Jennifer and Salerno, Salvatore, 2943. New York: Routledge, 2003.Google Scholar
Hall, Roger A. Performing the American Frontier, 1870–1906. Cambridge: Cambridge University Press, 2001.Google Scholar
Körner, Axel. “Masked Faces: Verdi, Uncle Tom and the Unification of Italy.” Journal of Modern Italian Studies 18, no. 2 (2013): 176–89.Google Scholar
Lockhart, Ellen. “Photo-Opera: La fanciulla del West and the Staging Souvenir.” Cambridge Opera Journal 23, no. 3 (2012): 145–66.Google Scholar
Lott, Eric. Love and Theft: Blackface Minstrelsy and the American Working Class. New York: Oxford University Press, 1993.Google Scholar
Mahar, William. Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture. Urbana: University of Illinois Press, 1999.Google Scholar
Miller, Karl Hagstrom. Segregating Sound: Inventing Folk and Pop Music in the Age of Jim Crow. Durham, NC: Duke University Press, 2010.Google Scholar
Puccini, Giacomo. La fanciulla del West. Milan: Ricordi, 1911.Google Scholar
Randall, Annie J., and Davis, Rosalind Gray. Puccini and the Girl: History and Reception of “The Girl of the Golden West.” Chicago: University of Chicago Press, 2005.Google Scholar
Russo, John Paul. “Puccini, the Immigrants, and the Golden West.” Opera Quarterly 7, no. 3 (1990): 427.Google Scholar
Schwartz, Arman. “Manon in the Desert, Wagner on the Beach.” Opera Quarterly 24, nos. 1–2 (2008): 5161.Google Scholar
Segurola, Andreas de. Through My Monocle: Memoirs of the Great Basso Andreas de Segurola. Edited by Creegan, George R.. Steubenville, OH: Crest Publishing, 1990.Google Scholar
Starobinski, Jean. “The Idea of Nostalgia.” Translated by William S. Kemp. Diogenes 14 (1966): 81103.Google Scholar
Wilson, Alexandra. The Puccini Problem: Opera, Nationalism, and Modernity. Cambridge: Cambridge University Press, 2007.Google Scholar
Winter, William. The Life of David Belasco. 2 vols. 1918. Reprint, Freeport, NY: Books for Libraries Press, 1970.Google Scholar
Zangarini, Carlo, and Civinini, Guelfo. La Fanciulla del West (The Girl of the Golden West). Founded on the drama of David Belasco. English version by R. H. Elkin. Music by Giacomo Puccini. New York: Franco Colombo, 1910.Google Scholar