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Published online by Cambridge University Press: 10 November 2015
“How does one review a monument?” Richard Crawford wondered when he sat down to review the first AmeriGrove in 1987; it puts “the conventional notion of a review to the test.” Some thirty years later, with the new AmeriGrove twice the size of the first edition and with the U.S. soundscape becoming more global and hybrid by the day, the challenge has increased for the potential reviewer. Indeed, how do you review a collective enterprise with up to 1500 authors and 9300 entries (some old, some new) along a timeline of some 350 years? For a professional insider like Richard Crawford the test was tough enough, but to assess its virtues and faults from a European perch, it is positively daunting, particularly when post-national, global crosscurrents continue to inspire a constantly evolving U.S. musical scene.
1 Crawford, Richard, “Amerigrove's Pedigree: On The New Grove Dictionary of American Music,” College Music Symposium 27 (1987): 174–75Google Scholar. Because the second edition builds on the first, Crawford's review serves as an excellent introduction to the evolution of American musicology up to 1986.
2 Carlin, Marilou, “Long Overdue Revision of New Grove Dictionary of American Music,” The Cutting Edge (19 September 2012): 3Google Scholar, online edition http://www.thecuttingedgenews.com/index.php?article=76041.
3 “In Conversation: Charles Hiroshi Garrett, AmeriGrove Editor in Chief,” Oxford Reference, http://www.oxfordreference.com/page/amerigrove/in-conversation-charles-hiroshi-garrett-amerigrove-editor-in-chief.
4 Garrett, Charles Hiroshi, Struggling to Define a Nation: American Music and the Twentieth Century (Berkeley: University of California Press, 2008)CrossRefGoogle Scholar.
5 The absence of an entry on Gustav Mahler was probably a blunder. Joseph Horowitz has more than made up for it in the new edition. His illuminating article on the phenomenon of Wagnerism in the United States is also noteworthy.
6 Lewis, George E., “Americanist Musicology and Nomadic Noise,” Journal of the American Musicological Society 64, no. 3 (2011): 694Google Scholar. Lewis was one of five scholars who contributed to the colloquy led by Garrett and Carol Oja (who served as a member of the AmeriGrove Advisory Board). Garrett, Charles Hiroshi and Oja, Carol J., “Colloquy: Studying U.S. Music in the Twenty-First Century,” Journal of the American Musicological Society 64, no. 3 (2011): 689–719CrossRefGoogle Scholar.
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9 Crawford, “Amerigrove's Pedigree,” 172.
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14 Tom Service, “But music and politics have always mixed,” The Guardian, 21 September 2011, http://www.theguardian.com/music/tomserviceblog/2011/sep/21/music-and-politics-must-mix.
15 Cunard, Nancy, ed. Negro: An Anthology (New York: Frederick Ungar Publishing, 1970)Google Scholar.
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