Hostname: page-component-cd9895bd7-7cvxr Total loading time: 0 Render date: 2024-12-26T06:50:20.641Z Has data issue: false hasContentIssue false
  • English
  • Français

Making Music in Selznick's Hollywood. By Nathan Platte. New York: Oxford University Press, 2017.

Published online by Cambridge University Press:  15 August 2019

Mariana Whitmer
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Review
Information
Journal of the Society for American Music , Volume 13 , Issue 3 , August 2019 , pp. 381 - 384
Copyright
Copyright © The Society for American Music 2019 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 David O. Selznick Obituary, New York Times, June 23, 1965, https://archive.nytimes.com/www.nytimes.com/learning/general/onthisday/bday/0510.html.

2 Platte specifically cites Keating, Patrick, “Shooting for Selznick: Craft and Collaboration in Hollywood Cinema,” in The Classic Hollywood Reader, ed. Neale, Steve (New York: Routledge, 2012)Google Scholar; Higgins, Scott, Harnessing the Technicolor Rainbow: Color Design in the 1930s (Austin: University of Texas Press, 2007)Google Scholar; and Vertrees, Alan, Selznick's Vision: Gone with the Wind and Hollywood Filmmaking (Austin: University of Texas Press, 1997)Google Scholar.